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George Cables: The Pianist’s Dedication to the Group
by Victor L. Schermer
Anyone who is serious about jazz will tell you that George Cables belongs in the pantheon of the greatest jazz pianists. Everyone, that is, except George Cables. Exceptional in every way, he is yet a team player. He sees himself as part of the rhythm section, and has always emphasized the group over the soloist. He ...
Jazz Musician of the Day: Art Blakey
All About Jazz is celebrating Art Blakey's birthday today! Born in 1919, Art Blakey began his musical career, as did many jazz musicians, in the church. The foster son of a devout Seventh Day Adventist Family, Art learned the piano as he learned the Bible, mastering both at an early age. But as Art himself told ...
Libor Smoldas: Intuition and Dreamtime
by Chris Mosey
Libor Smoldas is one of the best jazz guitarists the Czech Republic has produced in recent years. He plays extremely fluent, straight ahead music in the Jim Hall tradition, with overtones of Kenny Burrell. He is more relaxed, less intense than his contemporary, David Doruzka, best known of the current crop of Czech jazz guitarists. Smoldas ...
Ron Aprea: Remembering Blakey
by Nicholas F. Mondello
Legendary drummer Art Blakey, he of the eponymous Jazz Messengers, is regularly attributed with saying: “Jazz washes away the dust of everyday life." Well, if that's the case, this superb recording from saxophonist Ron Aprea and his cleaning crew certainly left the studio spotless, and themselves, to be somewhat crude but oh-so accurate, assless.This ...
Ron Aprea Sextet: Remembering Blakey
by Edward Blanco
Legendary New York alto saxophonist Ron Aprea is recognized as much for his skills as an arranger, composer, record producer and band leader as he is known for his superb musicianship. On Remembering Blakey, Aprea brings to the fore all of his talents in churning out a monster album that pays homage to the leader of ...
Mike Clark: East Bay Funk
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]I remember the first time I heard the classic Herbie Hancock album Thrust (Columbia, 1974). It was on the radio, if you can believe it. The song “Actual Proof" burned into my brain: I had been a fan of Herbie's, especially of ...
Kevin Hays: Creative Flow
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]If you aren't familiar with pianist Kevin Hays, you should be. He's recorded and toured with many of the greatest jazz musicians of all time. And those who call him can't seem to get enough of him. His recent projects as a ...
Cannonball Adderley & Milt Jackson: Things Are Getting Better
by C. Michael Bailey
Cannonball Adderley & Milt JacksonThings Are Getting BetterOJC1959/2013 Alto saxophonist Cannonball Adderley's 1959 Things Are Getting Better joins guitarist Wes Montgomery's So Much Guitar!, trumpeter Chet Baker's Chet Baker Plays The Best Of Lerner & Loewe (OJC/Riverside, 1959/2013) and Gerry Mulligan's Mulligan Meets Monk (OJC/Riverside, 1957/2013) in ...
Doug Mettome: A Brief Life in Bop
by Richard J Salvucci
Douglas (Doug) Voll Mettome, the son of Nels P Mettome and Leafy Dawn Mettome was born into a prosperous family on March 19, 1925 in Salt Lake City, Utah, where he died on February 17, 1964. He was one of two children (a younger sister attended Northwestern University). Doug's musical career began early. His ...
Poncho Sanchez: Mambo King
by Steve Bryant
For over 30 years, conguero/bandleader Poncho Sanchez has been the premier proponent of West Coast Latin Jazz. Growing up in Norwalk, California, Sanchez was exposed to and influenced by two very different styles of music: Afro-Cuban music and bebop, as well as R&B. Originally a guitarist, Sanchez taught himself the flute, drums, and timbales before finally ...
