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Kendrick Scott and His Convictions
by K. Shackelford
Everybody sings the praises of Kendrick Scott. The New York Times quickly named him as one of “Five Drummers Whose Time Is Now." On the drums, he transforms into a masterful and exquisite sonic architect whose work is filled with imaginative capacity. Yet Scott is what they call a triple threat--filling roles not only as a ...
NEA Jazz Masters 2015 Class
Initiated in 1982, the NEA Jazz Masters Fellowship is the nation’s highest honor given to those who have devoted their lives and careers to jazz, an art form uniquely rooted in American history and culture. Described by The New York Times as a “rare public accolade for jazz”, the recipients represent a wide variety of musical ...
Bobby Sanabria Spreads The Latin Jazz Gospel
by Steve Bryant
Drummer, percussionist, composer, educator, Bobby Sanabria has gained renown and respect from fans and musicians alike as one of the foremost proponents of what is labeled Afro-Cuban/Latin Jazz. Born and raised in the South Bronx, Sanabria performed with a veritable Who's Who in the world of jazz and Latin music, as well as with his own ...
Wayne Shorter Quartet at National Concert Hall, Dublin
by Ian Patterson
Wayne Shorter Quartet National Concert Hall Dublin, Ireland June 14, 2014 The rapturous applause that greeted the Wayne Shorter Quartet as it took to the stage of Dublin's National Concert Hall was a heart-felt show of appreciation for Shorter's immense contribution to jazz over the past six decades. From his role ...
Horace Silver: Blue Note Records and His Lady Music
by Ed Hamilton
The Q&A portion of this article first appeared on KPFK 90.7 FM (Los Angeles) in 1974. 75 years ago Blue Note Records was started by two German immigrants who loved jazz and believed that the music should be heard and preserved. Alfred Lion and Francis Wolff collaborated and built the Blue Note vault ...
Miles Davis, Volume 1 and 2 -- Blue Note 1501 and 1502
by Marc Davis
Miles Davis didn't record much for Blue Note Records, just three sessions in three years. So it's odd that the very first two CDs in Blue Note's classic 1500 series--the 100 albums from the 1950s that made Blue Note the top label in hard bop--are from Miles Davis. They're not bad records, but they're ...
Johnny O'Neal: Live at Smalls
by Angelo Leonardi
La vicenda del pianista Johnny O'Neal ricorda quella dei molti jazzmen usciti repentinamente di scena e in qualche caso riscoperti in età avanzata. Il suo caso non ha avuto la risonanza che ebbe il ritorno di Henry Grimes un decennio fa ma ha catalizzato comunque l'attenzione degli appassionati. Gran parte del merito va a ...
Danilo Perez: Bridging Cultures and Dimensions of Jazz
by Victor L. Schermer
Whether with his own ensembles or as a sideman, Danilo Perez has long been an iconic jazz pianist, but above and beyond his success as a performer and recording artist, he has become a manifestation and symbol of cross-cultural dialogue. His music brings together mainstream and Latin influences in a unique way. He always brings something ...
Frank Lacy & the Smalls Legacy Band: Live at Smalls
by Angelo Leonardi
Da un paio d'anni il trombonista Frank Lacy guida un sestetto di giovani emergenti che ora presenta in questo scintillante compact live, tratto da due serate (16 e 17 ottobre 2012) allo Smalls Jazz Club di New York. Ku-umba mette in evidenza la lunga esperienza di hard-bopper svolta nei gruppi di McCoy Tyner, ...
Opus 5: Progression
by Andrew Luhn
In the world of jazz the quintet is an established tradition. The standard quintet format has been one of the most common throughout the history of the music. It's a hard format to mess up, but it's an even harder format in which to stand out. On their most recent recording, Progression, Opus 5 stands out ...
