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Jazz Musician of the Day: Art Blakey
All About Jazz is celebrating Art Blakey's birthday today! Born in 1919, Art Blakey began his musical career, as did many jazz musicians, in the church. The foster son of a devout Seventh Day Adventist Family, Art learned the piano as he learned the Bible, mastering both at an early age. But as Art himself told ...
Oscar Perez: Prepare A Place For Me
by Dan Bilawsky
If Oscar Perez hadn't taken to the piano, he might've had a promising career in music journalism. In the concise and profound liner essay for this album, Perez intelligently considers the meaning of music, the struggles and joys connected to the art of creating and performing, and the way an individual's very being seeps into the ...
Thomas Fonnesbaek: Where We Belong
by Chris Mosey
Aficionados increasingly see Danish bassist Thomas Fonnesbaek as a successor to the late, great Nils-Henning Orsted Pedersen. He is heard here as part of a trio featuring Swedish pianist Lars Jansson, the format that established his reputation. The album consists primarily of Fonnesbaek's own compositions and others put together on the spot with ...
Sonny Rollins, Volume Two – 1957
by Marc Davis
There are no bad records by Sonny Rollins, but some are better than others. This is one of the better ones. Sonny Rollins Volume Two is, as the name suggests, Rollins' second recording for Blue Note. It's uniformly excellent with a fantastic band, especially the great J.J. Johnson on trombone and two tracks with ...
Spirits Rejoice! An Interview with Jazz and Religion Author Dr. Jason Bivins
by K. Shackelford
When contemplating the connection between jazz and religion, many short pieces have been written about it, yet no American scholar has released an exhaustive and comprehensive book on such an important topic. Dr. Jason Bivins, a well-respected religious studies and philosophy professor, has brilliantly tackled the task. His new book, Spirits Rejoice! (Oxford University Press, 2015) ...
Zappa and Jazz: Did it Really Smell Funny, Frank?
by Geoffrey Wills
The following is an excerpt from “Chapter 2: Early Encounters with Jazz" of Zappa and Jazz: Did it Really Smell Funny, Frank? by Geoffrey Wills (Matador, 2015). When, at the age of fourteen, Zappa entered Mission Bay High School in San Diego in 1955, his first exposure to the elitist snobbery of a ...
Trombonist Robin Eubanks Releases "More Than Meets The Ear," A Groundbreaking Big Band Album By Eubank’s Mass Line Big Band Out November 27, 2015
Multiple DownBeat critics poll winner and electric trombone pioneer Robin Eubanks has covered vast terrain in the course of a 30-plus-year career, but until this year he’d never made a big band album. That changes with the release of More than Meets the Ear (ArtistShare), a groundbreaking collection of Eubanks’ muscular, interwoven compositions. And it introduces ...
Steve Turre: Spiritman
by Luca Muchetti
Torna Steve Turre, il “suonatore di conchiglie," o -se preferite -il sideman di giganti come Ray Charles e Carlos Santana. Spiritman rappresenta un vero e proprio back to the roots, verso quella essenzialità swing che il trombonista sembrava aver messo da parte da tempo in favore di percorsi più concettuali e, in parte, segnati anche dall'utilizzo ...
Bennie Green: Soul Stirrin’ - 1958
by Marc Davis
In the 1950s, Blue Note was a reliable bastion of hard bop. Art Blakey and the Jazz Messengers set the tone, and dozens of artists--some famous, some not--followed. But Blue Note also had small oases of not-bop, often by artists you've never heard of. Bennie Green is one of those guys, and if you ...
Paris Jazz Diary: Pianists Kenny Barron, Harold Mabern, Bill Charlap
by Patricia Myers
Paris Jazz Diary 2015: Pianists Kenny Barron, Harold Mabern, Bill Charlap Duc des Lombards, Sunside-Sunset Jazz Clubs Paris, France July 3, July 4, July 14, 2015 New York City pianists Kenny Barron, Harold Mabern and Bill Charlap led trios in three separate concerts as part of a pair of annual summer-season ...
