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Kaze: Atody Man
by Dan McClenaghan
What was it drummer Art Blakey said about surviving in the tough, competitive business of being a jazz musician? Something along the lines of: “You're either busy appearing or you're busy disappearing." There might be something to this. Artists who release a recording every three or four years, or who tour sporadically, face the possibility of ...
Michael Dease: Reaching Out
by Mark Corroto
Somebody has to be the keeper of the flame, right? In jazz, an art form that has only recently passed the century mark, that responsibility has seemed to diminish in importance. It's not that music schools aren't churning out graduates versed in the traditional repertory, and post-modern players aren't constantly pushing the envelope of possibilities. It's ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond
by Karl Ackermann
Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...
John Coltrane: Trane 90
by Stefano Merighi
Coltrane l'apprendista, il collaboratore di talento, il leader, il visionario. È davvero possibile suddividere la carriera di John Coltrane attraverso questi ruoli ben distinti? O piuttosto la sapienza coltraniana si affina contando tuttavia già su una forza di partenza tutta particolare, e straordinaria? A parte le incisioni dei primi anni Cinquanta, infatti, sembra ...
We Four at Dazzle
by Geoff Anderson
We Four Dazzle Denver, CO October 21, 2017 The majority of Twentieth Century jazz was represented on stage at Dazzle Saturday night. Either the players were there, in person, or they were merely one degree of separation from the key action and the dominant personalities. History lessons can be nice, but ...
Leo Richardson Quartet: The Chase
by Roger Farbey
An alumnus of London's Trinity College of Music, tenor saxophonist Leo Richardson, who incidentally is the son of bassist Jim Richardson (formerly of the jazz rock band If), graduated from the College with a first class honours degree in Jazz Performance. Whilst studying at Trinity he was tutored by some world class players including Jean Toussaint, ...
Jazz Musician of the Day: Art Blakey
All About Jazz is celebrating Art Blakey's birthday today! Born in 1919, Art Blakey began his musical career, as did many jazz musicians, in the church. The foster son of a devout Seventh Day Adventist Family, Art learned the piano as he learned the Bible, mastering both at an early age. But as Art himself told ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago
by Karl Ackermann
Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...
Friday Night at the Monterey Jazz Festival
by Dave Kaufman
Friday | Saturday | SundayThe Monterey Jazz Festival celebrated its 60th anniversary and has been witness to some of the greatest concerts in jazz history as reflected in many stellar live recordings from the festival. This was my first trip to this much heralded event. The festival is held on the Fair Grounds and ...
Keith Karns Big Band: An Eye on the Future
by Jack Bowers
It's hard to know in advance exactly what to expect from a big-band album whose title is An Eye on the Future. Luckily, the horizon as leader Keith Karns sees it is rhythmically persuasive, harmonically alluring, acknowledges an indispensable bond to the past and swings like crazy. On this album, it's a tomorrow that also sets ...
