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763

Article: Extended Analysis

Marion Brown: Why Not?

Read "Marion Brown: Why Not?" reviewed by Clifford Allen

by Clifford Allen

Marion Brown Why Not? ESP-Disk 2009 (1966) While the term “fire music" has held sway as a descriptor of the music of post-John Coltrane/Albert Ayler saxophonists from the 1960s onward, it's long been an incomplete summation of the work of most of these musicians. Alto saxophonist Marion Brown ...

Album

Phat Jam In Milan

By Archie Shepp

Label: Soul Note
Released: 2009

543

Article: Live Review

Duology + 2 at the London Jazz Festival

Read "Duology + 2 at the London Jazz Festival" reviewed by John Sharpe

by John Sharpe

Duology + 2 Cafe OtoLondonNovember, 13, 2009 The opening night of the London Jazz Festival provided a rare opportunity to hear clarinetist Michael Marcus and trumpeter Ted Daniel--two seasoned, but unsung denizens of the New York scene--in the intimate surroundings of Dalston's Cafe Oto. Marcus made his debut with ...

343

Article: Album Review

Max Roach & Archie Shepp: The Long March

Read "The Long March" reviewed by Glenn Astarita

by Glenn Astarita

Bebop was considered a radical departure for jazz music during its formation in the 1940s and 1950s, pioneered by drummer Max Roach, Charlie Parker and Dizzy Gillespie among others. Coupled with tenor saxophonist Archie Shepp's 1960s avant-garde jazz proclivities, the artists respectively helped procure a prismatic and non-traditional perspective on the jazz idiom. However, their discographies ...

800

Article: Extended Analysis

Bobby Bradford: With John Stevens and the Spontaneous Music Ensemble

Read "Bobby Bradford: With John Stevens and the Spontaneous Music Ensemble" reviewed by Clifford Allen

by Clifford Allen

Bobby Bradford With John Stevens and the Spontaneous Music Ensemble Nessa Records 2009 In the instances that European and American improvisers have commingled and produced concerts and recordings, especially in the halcyon days of European free improvisation (the 1970s), a significant number of these situations resulted from expatriation. And it's ...

382

Article: Multiple Reviews

Bobby Hutcherson: Pushing The Vibes Forward

Read "Bobby Hutcherson: Pushing The Vibes Forward" reviewed by Robert Iannapollo

by Robert Iannapollo

Grachan Moncur III Evolution Blue Note 1963 John Coltrane / Archie Shepp New Thing At Newport Impulse 1965 Bobby Hutcherson Head On Blue Note 1971

477

Article: Live Review

John Tchicai at Cafe Oto in London

Read "John Tchicai at Cafe Oto in London" reviewed by John Sharpe

by John Sharpe

John Tchicai / John Edwards / Tony Marsh Cafe Oto London August 24, 2009Having played with John Coltrane on his groundbreaking Ascension (Impulse, 1965), it was no surprise that Danish reedman John Tchicai attracted a large crowd on one of his infrequent London appearances at Dalston's Cafe Oto.

658

Article: Live Review

Chicago Jazz Festival 2009

Read "Chicago Jazz Festival 2009" reviewed by Sandy Ingham

by Sandy Ingham

Chicago Jazz Festival 2009Chicago, IllinoisSeptember 4-6, 2009 Chicago can't lay claim to being the jazz capital of the world, nor was it the birthplace of jazz (though as the place where Louis Armstrong and other seminal New Orleans artists came after New Orleans, and as the birthplace of Benny Goodman 100 years ago, ...

430

Article: Album Review

Max Roach / Archie Shepp: The Long March

Read "The Long March" reviewed by Troy Collins

by Troy Collins

Recorded live in concert at the Willisau Jazz Festival on August 30, 1979, The Long March documents another of drummer Max Roach's historic duo collaborations with the leaders of the jazz avant-garde. This stellar date with tenor saxophonist Archie Shepp follows Streams of Consciousness (Piadrum, 1977), with pianist Abdullah Ibrahim, and Birth and Rebirth (Black Saint, ...

1,556

Article: Interview

Bill Dixon: In Medias Res

Read "Bill Dixon: In Medias Res" reviewed by Clifford Allen

by Clifford Allen

Trumpeter and composer Bill Dixon is one of those rare figures in creative music who was both there as it took its initial steps and currently remains at the forefront of contemporary improvisation. In the last two years, he has directed or co-led orchestral configurations and recorded and performed with hand-picked small groups of international renown. ...


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