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Makaya McCraven: Cross Border Traffic
by Chris May
Like his near contemporaries Shabaka Hutchings, Kamasi Washington, Nubya Garcia and Robert Glasper, the Chicago-based drummer, bandleader, producer and self-declared beat scientist Makaya McCraven is routinely described by the more breathless commentators writing about modern music as a saviour" of jazz. Certainly, McCraven and his peers are enriching jazz by their embrace of other ...
Budapest Music Center: A cultural confluence at the heart of Hungary
by Friedrich Kunzmann
The Budapest Music Center, known by its acronym BMC, was founded in 1996 by Hungarian trombone player, music educator and entrepreneur László Gőz. Upon initial conception, the institution's main goal was to create a musical network to help Hungarian musicians and other interested parties to gain an overview of the country's musical happenings, past and present, ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Charles Tolliver: Blowing Down The Walls Of Trump’s Jericho
by Chris May
Charles Tolliver has played with practically every major African American jazz stylist of his generation, and composed for some of them, too. In addition, he is the co-founder of Strata-East, the most influential label at the intersection of hard bop and spiritual jazz during the 1970s. Tolliver's long and distinguished career continues to flourish, with a ...
Duo Baars-Buis: Moods For Roswell
by Mark Corroto
It is difficult to think of a better way of honoring the memory of trombonist Roswell Rudd than through the music of Duke Ellington and Billy Strayhorn. Rudd (1935-2017), the eternal avant-gardist, maintained a firm foundation in the jazz tradition. Even when he was working in the New York Art Quartet or collaborating with Archie Shepp ...
Anna Hogberg Attack: lena
by John Sharpe
It is a well known gambit to start an album with one of its strongest tracks. But it must have been a difficult choice for Swedish band leader and saxophonist Anna Högberg when programming her group Attack's second release. That she chose Pappa Kom Hem," which opens with a sustained stentorian bellow from tenor saxophonist Elin ...
Michel Herr: Positive: Music For Sextet And String Quartet
by Ian Patterson
Although perhaps best known as a jazz pianist who has worked with the likes of Archie Shepp, Bill Frisell, Philip Catherine, Joe Lovano, Zbigniew Seifert and Toots Thielemans, Michel Herr has long enjoyed a parallel career as a conductor / musical director, and as an arranger for cinema, television and radio productions. It is in these ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
New York Contemporary Five: Consequences Revisited
by Mark Corroto
This 2020 reissue of the New York Contemporary Five recordings from 1963-64 can't help but draw one's attention to the social unrest occurring in America in 2020. In 1964 the riots in Harlem and Philadelphia over police brutality were followed by similar riots a few years later in Watts, Newark, Detroit, etc. In the growing civil ...
Fire Music: When Jazz Speaks Out - Part 3
by Ludovico Granvassu
As Martin Luther King put it in the opening address to the 1964 Berlin Jazz Festival, Jazz speaks for life. The Blues tell the story of life's difficulties, and if you think for a moment, you will realize that they take the hardest realities of life and put them into music, only to come out with ...


