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Jill McCarron Trio with Will Anderson: Jazz Motif
by Jack Bowers
Pianist Jill McCarron's latest recording, Jazz Motif, gets off to a flying start with Will Anderson's irrepressible alto saxophone setting the pace on a fiery rendition of “All God's Chillun Got Rhythm" and his radiant flute showcased on John Lewis' groovy “Concorde." Alas, Anderson isn't heard again until Tracks 7 (Clare Fischer's “Ontem a Noite") and ...
Jeremy Monteiro: No Black Tie Required
by Ian Patterson
Jeremy Monteiro has been Singapore's unofficial jazz ambassador since the late 1970s, carving out a pioneering path around the world. The first South East Asian to perform at the Montreux Jazz Festival and the first S.E. Asian to record for the Verve label, Monteiro has made a habit of playing with the very best, from James ...
The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66
by Skip Heller
Louis Armstrong officially returned to small band leadership May 17, 1947 via a triumphant concert at Town Hall that was less comeback than reaffirmation. It was even the dawn of his second great period, full of recordings that stood tall with his epochal 1920's output, and the subsequently-assembled Louis Armstrong and his All Stars would immediately ...
Arbenz, Mehari, Veras: Conversation #1: Condensed
by Kyle Simpler
One of the most appealing aspects in jazz is the interplay among musicians in a group. There is usually a continuous musical conversation occurring during any given session, which adds an element of spontaneity. Swiss drummer Florian Arbenz is concentrating on this concept of conversation in his upcoming releases, beginning with Conversation #1: Condensed.
Cote Calmet: Cultivating Afro-Peruvian Rhythms
by Ian Patterson
What do a dead donkey, a Seat Alhambra and Led Zeppelin's John Bonham all have in common? Whatever images your mind's eye may conjure, these three clues, in fact, all lead to Phisqa, the contemporary jazz band of Afro-Peruvian bent, formed by drummer Cote Calmet in Dublin, Ireland, in 2010. But let's not get ...
Nara Leão: Muse of the Bossa Nova
Nara Leão (pronounced LEE-yay-yo) was a celebrated Brazilian bossa nova and Tropicália pop singer in the 1960s. Her father had given her a guitar at age 12, and as a teenager in the late 1950s, she became friends with many of the singer-songwriters who were pioneering the bossa nova. The list included including Roberto Menescal, Carlos ...
Hendrik Meurkens: Manhattan Samba
by Edward Blanco
Composer, virtuoso on both the vibraphone and harmonica, German-born New York-based Hendrik Meurkens presents yet another colorful and tantalizing taste of Brazilian music on the exquisite Manhattan Samba. A proponent of the samba and bossa nova styles of music after a full immersion while living in Rio de Janeiro in the early 1980s, Meurkens continues documenting ...
Helio Alves and Duduka Da Fonseca: The Indomitable Brazilians
by Nick Catalano
Undeterred by the pandemic, camaradas Helio Alves and Duduka Da Fonseca continue their masterful musicianship in Gotham boîtes wearing masks as they consistently perform ever-fresh music from the Brazilian archives. Performing at Smalls Jazz Club on April 28 in front of stouthearted souls representing New York's proud jazz patronage while streaming the show for worldwide adherents, ...
Joanie Pallatto: My Original Plan
by Jack Bowers
"Give my new disc a spin," Chicago-based vocalist Joanie Pallatto e-mailed. “I think you'll like it." That was more than twenty years ago, and Pallatto was right. That album, Words & Music (Southport Records, 1999), was splendid, as was Pallatto, reciting memorable lyrics by Rodgers & Hart, the Gershwin brothers, Antonio Carlos Jobim, Hoagy Carmichael, Bob ...
Ricardo Pinheiro: Caruma
by Victor L. Schermer
Ricardo Pinheiro is a guitarist from Lisbon, Portugal who has made his mark on jazz in Europe and the U.S. His sensitive, imaginative, and intimate way of playing is evident on albums such as Pinheiro, Ineke. & Cavalli: Triplicity (Daybreak/Challenge, 2018) and Pinheiro/ Ineke/ Cavalli: Turn Out The Stars (Challenge, 2021) , the former being a ...
