Results for "Anthony Pinciotti"

The Spike Wilner Trio: Aliens & Wizards

by Pierre Giroux
May 1, 2021

In this initial collaboration between The Cellar Music Group and The Smalls LIVE Foundation, it is no small wonder that driving forces behind this effort are the founders, Executive Producers, and close friends Cory Weeds and Spike Wilner. Respected musicians in their own right, Weeds and Wilner have a common appreciation and ...

No Roots

February 21, 2021

Album: Quarantine Covers
By Valentina Marino
Label: Self Produced
Released: 2020
Duration: 3:17

Quarantine Covers

By Valentina Marino

Label: Self Produced
Released: 2020
Track listing: 1. Somebody I Used To Know 4:05 2. Only The Lonely 3:25 3. Dance Me To The End of Love 3:23 4. Gotta Serve Somebody 6:09 5. River 3:24 6. No Roots 3:17 7. All I Want 4:19 8. Il Tempo Di Morire 3:47 9. Consider Me Gone 4:34 10. Make You Feel My Love 4:22

Anthony Pinciotti

Anthony Pinciotti is a dynamic, innovative drummer well versed in jazz, rock, and world music. Based in New York City, Anthony performs and tours extensively with many of the most vital and forward looking musicians on the scene today. Some of the notable musicians Anthony has worked with are: James Moody, Dr. Lonnie Smith, John Abercrombie, Joe Lovano, Randy Brecker, Ira Sullivan, Kenny Werner, Mose Allison, Lew Tabackin, John Patitucci, Jim Hall, Bob Mintzer, Renee Rosnes, George Garzone, Frank Foster, Benny Golson, George Mraz, Houston Person, Toninho Horta, Jerry Bergonzi, Lynne Arriale, Gary Bartz, Rufus Reid, Vic Juris, Dave Liebman, Kenny Barron, and Sheila Jordan to name a few. Anthony’s passion for music became apparent when at the age of two he began playing the drums

The Night We Couldn't Say Good Night

By Angela Verbrugge

Label: Gut String Records
Released: 2019
Track listing: I'm Running Late; The Night We Couldn't Say Good Night; Love Walked In; All Too Soon; You're Almost Perfect; This Could Be the Start of Something Big; Interlude (A Night in Tunisia); Cool Baby; Si Tu Pudieras Quereme (You and the Night and the Music); Speak Softly, Love; Plus j t'embrasse; The Moon Was Yellow, How Did I Know This Was the End?

Anat Cohen Tentet at SFJAZZ

by Harry S. Pariser
June 6, 2019

Anat Cohen Tentet SFJAZZ Center San Francisco, CA May 19, 2019 Swinging one moment, meditative the next. That typifies the style of clarinetist Anat Cohen. A native of jny: Tel Aviv, the 39-year-old Cohen studied at Berklee School of Music in jny: Boston before moving to jny: New York City. Over ...

ECV: Sticks and Stones

by John Kelman
February 3, 2018

While a somewhat common secondary instrument for primarily electric guitarists including Vic Juris, Pat Metheny and Adam Rogers, there are but a handful of jazz six-stringers alive today who make the nylon-string acoustic guitar their main axe. Despite being known to pick up a warm-toned hollow body electric guitar when the need arises, jny: Ottawa, Canada-based ...

Five on Cellar Live

by C. Michael Bailey
August 23, 2017

Corey Weeds' Cellar Live label is dedicated to the most organic of jazz: small ensemble acoustic performance. In 2000, Weeds had opened his Cellar Jazz Club, originally located at 3611 W Broadway, Vancouver, BC. A year later followed the inauguration of the Cellar Live imprint. In spite of the club's closing in 2014, the label remains ...

John McNeil: Hush Point III

by Budd Kopman
January 8, 2017

Trumpeter John McNeil is a real trooper, battling and overcoming much physical adversity, but nevertheless engaging in long-term projects such as the group Hush Point. Joined by saxophonist Jeremy Udden, with Aryeh Kobrinsky on bass and Anthony Pinciotti on drums, McNeil's somewhat idiosyncratic sense of humor (musical and otherwise) is on display, as is his desire ...

Richard Sussman: The Evolution Suite

by Troy Dostert
October 10, 2016

On this ambitious recording, keyboardist Richard Sussman draws together several seasoned jazz veterans with the Sirius Quartet for a stimulating, genre-defying album of music. Built around Sussman's five-part “Evolution Suite," the record's guiding theme is also a gesture toward the transcendence of stylistic boundaries that animates Sussman's music. By utilizing conventional jazz, fusion, contemporary classical and ...