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17

Article: Interview

Alexander Hawkins: Music as a Generous Space

Read "Alexander Hawkins: Music as a Generous Space" reviewed by Giuseppe Segala


Born in Oxford in 1981, Alexander Hawkins is one of the leading musicians of his generation and a significant figure on the contemporary international scene. Personable and approachable, he is one of the few musicians of his age who engage meaningfully with the pioneering spirit of the African-American music tradition from the 1960s onward. His stylistic ...

1

Article: Album Review

Anthony Braxton Saxophone Quartet: Sax QT (Lorraine) 2022

Read "Sax QT (Lorraine) 2022" reviewed by Alberto Bazzurro


A mezzo secolo esatto dal suo primo esperimento in materia, la “Composition 23A" (rombo-30-EGN-KBM-78, secondo la connotazione grafica tipica delle pagine braxtoniane dell'epoca, che qui non possiamo per ovvi motivi riprodurre nella sua completezza) datata fra il 27 settembre e il 16 ottobre 1974 e riunita poi con altre cinque di diversa natura in New York, ...

9

Article: Album Review

Joe Fonda: Eyes On The Horizon

Read "Eyes On The Horizon" reviewed by Mark Corroto


When a musician who is a legend himself, herein bassist Joe Fonda, creates an album of tribute music to his mentor and teacher, it is rare that that person also performs on the recording. Fonda wrote the seven compositions heard here, with five dedicated to the master musician Wadada Leo Smith. On Eyes on The Horizon, ...

1

Article: Interview

Alexander Hawkins: La Musica è uno Spazio generoso

Read "Alexander Hawkins: La Musica è uno Spazio generoso" reviewed by Giuseppe Segala


Nato a Oxford nel 1981, Alexander Hawkins è musicista di punta della propria generazione e della scena contemporanea internazionale. Persona di grande disponibilità e affabilità, è tra i pochissimi musicisti che nella sua fascia di età si confrontano in modo congruo al temperamento dei pionieri che dagli anni Sessanta in poi si sono avvicendati sulla scena ...

1

Article: Album Review

Anthony Braxton: Solo Bern 1984 First Visit

Read "Solo Bern 1984 First Visit" reviewed by Alberto Bazzurro


A quarant'anni esatti dalla sua esecuzione (per l'esattezza il 7 luglio 1984), ecco arrivare questo live svizzero, di ottima fattura sotto il profilo dell'incisione (non è sempre stato così, nei molti inediti braxtoniani spuntati fuori come funghi nel corso degli anni), nonché largamente esaustivo dei procedimenti messi in atto in concerto dal grande musicista chicagoano (anche ...

7

Article: Building a Jazz Library

Jazz on Soul, Pop, Rock, Folk, and other intangible territories - Part 2

Read "Jazz on Soul, Pop, Rock, Folk, and other intangible territories - Part 2" reviewed by Artur Moral


Part 1 | Part 2 James Carter soloing on a song by Sting? A prolific French guitarist and producer, approaching his thousandth album, deconstructing one of Billy Joel's most candid love songs? A Spanish trumpeter translating the Bee Gees into the jazz language? Yes, all this will happen in this second installment of a ...

13

Article: Album Review

Marilyn Crispell & Harvey Sorgen: Forest

Read "Forest" reviewed by Mike Jurkovic


In whatever stage, studio or musical environment these two supremely gifted improvisors find themselves, their talk is never anything other than bone-set honest. And as clarifying and compelling as so much of the duo's previous decades of recordings have been--preternatural recordings that include Anthony Braxton, Ahmad Jamal, Paul Simon, Cecil Taylor, Karl Berger and Joe Fonda--Forest, the ...

13

Article: Album Review

Kalaparusha Maurice McIntyre: Live From Studio Rivbea

Read "Live From Studio Rivbea" reviewed by John Sharpe


Kalaparusha Maurice McIntyre is in some ways the forgotten man of Chicago's pioneering Association for the Advancement of Creative Musicians (AACM). He appears on two of the first albums to come out of the collective: Roscoe Mitchell's Sound (Delmark, 1966) and Muhal Richard Abrams' Levels And Degrees Of Light (Delmark, 1968); and was the leader of ...

3

Article: Multiple Reviews

Three types of albums from ezz-thetics

Read "Three types of albums from ezz-thetics" reviewed by John Eyles


In 1975 Werner X. Uehlinger founded the Swiss-based HatHut label which mainly released jazz by such illustrious names as Anthony Braxton, Steve Lacy, Joe McPhee, Max Roach and Cecil Taylor. The labels Hat MUSICS and Hat ART followed in 1981. !997 brought hatOLOGY and hat(now)ART, the latter issuing modern compositions by the likes of John Cage ...

3

Article: Book Review

Talking the Groove: Jazz Words from the Morning Star

Read "Talking the Groove: Jazz Words from the Morning Star" reviewed by Duncan Heining


Talking the Groove: Jazz Words from the Morning Star Chris Searle (foreword by Mike Westbrook) 394 pages ISBN: #978-1-9163206-7-3 Jazz in Britain 2024 Talking the Groove collects Chris Searle's more recent reviews, articles and interviews from the British socialist daily paper, the Morning Star, acting as a follow-up to ...


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