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Naama Gheber: If I Knew Then
by C. Michael Bailey
New York City-based vocalist Naama Gheber released her debut recording, Dearly Beloved (Cellar Music) in 2020, just before the global COVID-19 pandemic. With live entertainment brought to a halt, Gheber found herself with time on her hands and no way to promote her considerable talent in live performance. Israeli by birth, Gheber was an enfant terrible ...
African Cookbook, A Vocal Tangent, A Dizzy Atmosphere
by David Brown
This week, South African jazz artists to African sounds in jazz, a vocal tangent, and finally, a Dizzy atmosphere. Playlist Thelonious Monk Epistrophy (Theme)" from Live At The It Club (Complete) (Columbia) 00:15 Somi House of the Rising Sun" from Zenzile: The Reimagination of Miriam Makeba (Salon Africana) 01:50 Nduduzo Makhathini Amathongo" from In ...
Who's The Hippest Chick In Town? Anita.
by Rob Mariani
Who the hell shows up at a midnight jam session at the Loews Sheraton Theater in Greenwich Village wearing white, elbow-length gloves, a little, flowered print dress and a hat that looks like an inverted birdbath? Who dares to show up on stage like that where guys like Zoot Sims and Conte Candoli and Al Cohn ...
Results for pages tagged "Anita O'Day"...
Cara Dineen
"A very special voice... the lady that can sing" -Dee Dee Bridgewater 'Anomalous Chanteuse' Cara Dineen is a multi-faceted performer, vocalist, and composer. She made quite a stir over the past decade, performing with her two bands: The Brooklyn Sugar Stompers (traditional early "hot jazz" & blues) and jazz/pop mashup band BELLATONIC throughout the NYC- Metro area and beyond. After graduating Summa Cum Laude and obtaining her B.M. in vocal performance from Berklee College of Music in Boston in 2009, she moved to New York where she and her bands were selected to perform for a multitude of high-profile event clients including: SpaceX, Coco Chanel, GQ Magazine, and the NYC Viennese Opera Ball, among many others
New releases from Hiromi, Karen Marguth, Houston Person and Beth McKenna
by Mary Foster Conklin
This broadcast presents new releases from pianist Hiromi, vocalists Karuna Shinsho, Karen Marguth and saxophonists Houston Person and Beth McKenna with birthday shoutouts to Anita O'Day, Bobby Troup, Esperanza Spalding, Laura Nyro (born on the same day -how cool is that?), Thelonious Monk, Jenna Mammina, Jane Bunnett, Lakecia Benjamin, Freddy Cole and more. Thanks for listening ...
Darius Jones: Raw Demoon Alchemy (A Lone Operation)
by Mark Corroto
Saxophonist Darius Jones' solo recording Raw Demoon Alchemy (A Lone Operation) is the embodiment of the word unpasteurized. Captured in the fall of 2019, the music is raw and untreated. Maybe 'pure' is a better word here. The musician known for his muscular approach to the alto saxophone lowers the armored facade we all seem to ...
Jazz Musician of the Day: Anita O'Day
All About Jazz is celebrating Anita O'Day's birthday today! Born Anita Belle Colton in Chicago, Illinois on October 18, 1919, O’Day got her start as a teen. She eventually changed her name to O’Day and in the late 1930’s began singing in a jazz club called the Off-Beat, a popular hangout for musicians like band leader ...
Take Five with Terry Waldo and Tatiana Eva-Marie
by AAJ Staff
Meet Terry Waldo Tatiana Eva-Marie: Terry Waldo and Tatiana Eva-Marie first met and started performing together at the famous NYC parties hosted by Scott Asen, owner of Turtle Bay Records. The two artists had such musical chemistry that Asen encouraged them to record an album together. Thus was born the duo's new album, I Double Dare ...
Veronica Swift: This Bitter Earth
by Angelo Leonardi
Ad appena 26 anni Veronica Swift firma il suo album più avvincente e maturo, imponendosi come la vocalist stilisticamente più completa emersa nel nuovo millennio. Dotata di un talento prodigioso, s'è imposta nell'affollato panorama odierno delle cantanti per inventiva e virtuosismo, rinnovando l'eredità di grandi interpreti degli anni cinquanta come Anita O'Day e Dinah Washington.
International Sweethearts of Rhythm: una big band di donne afroamericane nella società sessista degli anni Quaranta.
by Maurizio Zerbo
Il genio creativo di Mary Lou Williams nell'era dello swing costituisce la punta di diamante della creatività jazzistica femminile, la cui storia è tutta da riscrivere. La presunta mancanza di forza fisica, abilità strumentale, senso dello swing fu alla base sello scetticismo della comunità jazzistica nei confronti delle donne, relegate al ruolo di vocalist in brani ...