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427

Article: Multiple Reviews

Evan Parker: Alder Brook & Birds and Blades

Read "Evan Parker: Alder Brook & Birds and Blades" reviewed by Andrey Henkin


Evan Parker, perhaps the John Coltrane of English music, has made a career of lending his utterly unique approach to any number of long-standing groups and individual recordings. By virtue of his complex musicianship and extremely open approach to group playing, he fits seamlessly in any configuration into which he is drawn, never dominating or flashy, ...

166

Article: Multiple Reviews

Alexander von Schlippenbach: Globe Unity 2002 & Broomriding

Read "Alexander von Schlippenbach: Globe Unity 2002 & Broomriding" reviewed by Andrey Henkin


At the fiery cataclysm that ends all creation, Alexander von Schlippenbach may get a reprieve for being the one of the most significant European musicians of the past 40 years. His body of work is extensive but he is most known for two radically different spheres of accomplishment: small group work beginning with ...

288

Article: Album Review

Peter Kowald/Miya Masaoka/Gino Robair: Illuminations

Read "Illuminations" reviewed by Andrey Henkin


Japanese art’s most famous series is perhaps its “Views of Mount Fuji” by the woodblock artist Hokusai. In the series, he portrays the mountain from various locations in Japan; in certain cases as the prominent subject of the work; in others a distant point in the background of a teahouse or lake scene. One is swept ...

674

Article: Year in Review

All About Jazz: New York Best of 2003

Read "All About Jazz: New York Best of 2003" reviewed by Andrey Henkin


We've created several best of lists for 2003 ranging from the best live shows to the best reissues. Enjoy!Quick LinksBest New Releases Of 2003 Musicians Of The Year Musicians To Watch Best Vocal Releases Best Latin Releases Unearthed Gems Best Reissues Best Shows Of 2003 Best Record Labels Books Of The Year

568

Article: Profile

Trumpeter Enrico Rava

Read "Trumpeter Enrico Rava" reviewed by Andrey Henkin


For those who maintain that jazz is purely an American music, go check your record collection and see how many times the name Enrico Rava shows up. The trumpeter in many ways defines Italian jazz as well as how the music has become an international phenomenon. Rava's accomplishments are myriad. “I think I ...

166

Article: Album Review

Don Friedman: Waltz for Debby

Read "Waltz for Debby" reviewed by Andrey Henkin


Somewhere Attila Zoller is smiling, pleased to see to his one-time foil, pianist Don Friedman, playing to a full audience at the Jazz Standard last month in support of his new album Waltz for Debby. Those giddy days of the Zoller-Friedman quartet days are long past, but Don Friedman has lost little of the touch that ...

554

Article: Extended Analysis

Miroslav Vitous - Universal Syncopations

Read "Miroslav Vitous - Universal Syncopations" reviewed by Andrey Henkin


Miroslav VitousUniversal Syncopations ECM 2003 Bassist Miroslav Vitous, veteran of the bands of Miles Davis, Herbie Mann, Donald Byrd, Chick Corea and numerous others had a dream decade after coming to the states in 1966 on a music scholarship. Within years, he would record one of the seminal ...

576

Article: Extended Analysis

Andrew Hill: Passing Ships

Read "Andrew Hill: Passing Ships" reviewed by Andrey Henkin


Andrew Hill Passing Ships Blue Note 2003 The history of Blue Note Records is in many ways the history of the golden age of jazz. When Blue Note changed, the whole face of jazz changed. After releasing classic sides one after another for much of the '60s, Blue ...

516

Article: Record Label Profile

Ayler Records

Read "Ayler Records" reviewed by Andrey Henkin


For a genre with as small a market share as jazz, there are no end to labels big and small peddling artists known and unknown. As the big three become more staid and conservative, it is up to small independent outfits to make sure of some level of vibrancy and innovation. It is ...

785

Article: Profile

Steve Lacy: Straight from the Horn

Read "Steve Lacy: Straight from the Horn" reviewed by Andrey Henkin


“I wanted to come back. You can't stay away forever. I'm from here, I'm from New York and it was time to come home." Soprano saxophonist Steve Lacy, whose career began inauspiciously in 1954 on an instrument which would lose its main progenitor in Sidney Bechet five years later, made this statement recently during ...


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