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Article: Anatomy of a Standard

"Desafinado" by Antonio Carlos Jobim, Newton Mendonça and Jon Hendricks

Read ""Desafinado" by Antonio Carlos Jobim, Newton Mendonça and Jon Hendricks" reviewed by Tish Oney


There has been a healthy dose of Latin songs that have made their way into the Great American Songbook—after all—Central America and South America are every bit as “American" as the United States. Among the composers of Latin jazz standards, the inimitable guitarist/composer, Antonio Carlos Jobim (1927-1994), stands tall. Jobim composed a great many enduring songs ...

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Article: Anatomy of a Standard

"Ain't Misbehavin'" by Fats Waller and Andy Razaf

Read ""Ain't Misbehavin'" by Fats Waller and Andy Razaf" reviewed by Tish Oney


Legendary pianist and songwriter, Thomas Wright “Fats" Waller (1904-1943), contributed several outstanding gems to what we consider today to be the Great American Songbook. These standards include “Honeysuckle Rose" and “Ain't Misbehavin'" (both from 1929), among others. Waller's all-too-brief career reflected the impressive output of a first-rate musician, and showed him to be a talented radio ...

20

Article: Anatomy of a Standard

"Prelude to a Kiss" by Duke Ellington

Read ""Prelude to a Kiss" by Duke Ellington" reviewed by Tish Oney


Last month's initial installment of this column opened with an introduction to the concept of analyzing jazz standards for the purpose of adding to our understanding about the structure and elements of great songs having enduring qualities. I did not feel it required mentioning that a song's final structure and the process of songwriting were completely ...

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Article: Anatomy of a Standard

"Here's That Rainy Day" by Jimmy Van Heusen and Johnny Burke

Read ""Here's That Rainy Day" by Jimmy Van Heusen and Johnny Burke" reviewed by Tish Oney


I am honored to be authoring a new column for All About Jazz revolving around the question, “What makes a song a standard?." Surely there are as many answers to that rhetorical question as there are scholars having opinions about it. My charge, as I accept it, is to provide some analysis of chords, melody, lyrics ...


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