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Simon Toldam Trio: Omhu
by Jakob Baekgaard
The bebop and hard bop revolution of the forties and fifties made speed a virtue as razor-sharp unison lines cut through the rhythms. A saxophonist like Johnny Griffin was praised for his fast way of playing that also underlined his technical virtuosity, and the muscular style signaled a music completely in touch with modernity.
Alberto Pinton: Opus Facere
by Angelo Leonardi
Attivo in Svezia dal 1985, il sassofonista veneziano Alberto Pinton occupa una posizione di rilievo nel jazz scandinavo d'avanguardia, per il suo ruolo di leader (con questa e altre formazioni) che per le collaborazioni con vari organici. Quest'incisione segue il live giapponese pubblicato lo scorso anno (Live in Japan Wildcat House) dov'era protagonista lo ...
Assif Tsahar / William Parker / Hamid Drake: In Between the Tumbling a Stillness
by Karl Ackermann
Israeli saxophonist/clarinetist Assif Tsahar has deep roots in the free-jazz genre, having played with Cecil Taylor, Butch Morris, Peter Kowald, Fred Anderson, Ken Vandermark, Herb Robertson, Cooper-Moore, and many others. Among his other associations are two albums with bassist William Parker, Sunrise in the Tone World (AUM Fidelity, 1995) and Mass for the Healing of the ...
Marc Copland: Gary
by Dan McClenaghan
Pianist Marc Copland is the perfect interpreter of the music of bassist Gary Peacock. The artists' musical relationship began over three decades ago, and continues to this day. Peacock, best known perhaps for his long tenure in pianist Keith Jarrett's “Standards Trio," has played on numerous Copland recordings, including At Night (Sunnyside, 1992), Softly (Savoy Jazz, ...
Chuck Deardorf: Perception
by Paul Rauch
Before the tech revolution that has ushered in an era of unprecedented growth and global recognition, the city of Seattle was a bit of an outpost in the world of jazz. Since the 1920s, the city has enjoyed a vibrant and innovative jazz scene, often resulting in local musicians backing major international touring artists. The emerald ...
The Boilermaker Jazz Band: I Love the Rhythm in a Riff
by Mackenzie Horne
Reedman Paul Cosentino knows his audience and has made a living bringing joy to thousands in the global swing and blues dancing community. As leader of the Boilermaker Jazz Band, Cosentino performs with a brand of old-fashioned showmanship as sincere as it is charming. The band put down traditional roots in the '80s, and has since ...
John Turville: Head First
by Roger Farbey
Head First is British pianist John Turville's first album in a quintet format. His previous albums Midas (2010) and Conception (2012), both on the F-IRE label, were trio dates and, on his most recent album Red Skies (Splash Point Digital, 2013), he duetted with vocalist Brigitte Beraha. He has also been a member of the Solstice ...
Mathisen, Breistein: Gadgets
by Neri Pollastri
Protagonista di questo lavoro è un quartetto di musicisti scandinavi (tre norvegesi e un danese) codiretto dal sassofonista Inge Weatherhead Breistein e dal chitarrista Svein Rikard Mathisen, coautori anche delle musiche. La cifra è molto moderna, basata su composizioni lontane dalla forma degli standard, aperte ma molto narrative e attraversate in filigrana da un certo lirismo. ...
Kris Davis/Matt Mitchell/Aruán Ortiz/Matthew Shipp: New American Songbooks, Volume 2
by Karl Ackermann
Nate Wooley--as a Producer--equals his composer, improviser, and trumpeter alter ego. The editor-in-chief of the journal Sound American and distributor of music through the label of the same name, has issued a second edition of his forward thinking New American Songbook series. New American Songbooks, Volume 1, (Pleasure of the Text, 2017) was a cooperative trio ...
Lotz Of Music: Live At JazzCase
by Troy Dostert
With an upbringing that involved living in Thailand, Germany and Uganda, it was perhaps inevitable that flautist Mark Alban Lotz would take a global approach to his craft as a musician. His substantial recorded output (over a dozen releases to his name, to date) bears ample witness to his restless quest for new forms of expression, ...
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