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Article: Album Review

Chris Mondak: Eternal Youth

Read "Eternal Youth" reviewed by Jerome Wilson


Chris Mondak is a 21-year-old bassist who has already racked up some impressive jazz experiences, studying with Cecil McBee and Dave Holland, and playing with the likes of Jeff Hamilton, Dave Douglas and Wycliffe Gordon. His first CD is mostly made up of his own compositions, which vary between conventional acoustic jazz motifs and funkier electric ...

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Article: Album Review

Nat Birchall: Obeah Man

Read "Obeah Man" reviewed by Chris May


Welcome to the latest analog-era time warp... the vinyl revival has rebirthed the 45rpm seven-inch jazz single. The format faded away in the 1960s. Even back then, chart hits such as Stan Getz's “Desafinado" (Verve, 1962) were freak events, but before the coming of album playing FM radio stations, an edited version of an album track ...

Article: Album Review

Wayne Horvitz, Geoff Harper, Eric Eagle: The Snowghost Sessions

Read "The Snowghost Sessions" reviewed by Vincenzo Roggero


Era dall'anno di grazia 1986 che Wayne Horvitz non incideva in trio--Nine Below Zero lo vedeva insieme a Butch Morris e Bobby Previte--e mai comunque nella formazione piano-tastiere/basso/batteria. Un ulteriore motivo di curiosità e di interesse riguardo la pubblicazione di The Snowghost Sessions, seduta di registrazione per certi versi anomala, a ruota libera, senza l'obiettivo specifico ...

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Article: Album Review

Wayne Horvitz: Those Who Remain

Read "Those Who Remain" reviewed by Mario Calvitti


Conosciuto principalmente per le sue partecipazioni a vari progetti di John Zorn (in particolare nel gruppo Naked City), le collaborazioni con Bill Frisell, Bobby Previte e altri, e i gruppi da lui guidati come Zony Mash (e la versione acustica Sweeter Than the Day), Pigpen e Presidents, il tastierista Wayne Horvitz può vantare anche una intensa, ...

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Article: Album Review

Adam Berenson / Scott Barnum: Stringent and Sempiternal

Read "Stringent and Sempiternal" reviewed by Karl Ackermann


Pianist and composer Adam Berenson and bassist Scott Barnum have been working as a duo for more than a decade. Two years ago, on Introverted Cultures (Dream Play Records, 2017), they were joined by guitarist Eric Hofbauer on a double-CD set of improvised pieces. Back as a duo formation on Stringent and Sempiternal, the pair offer ...

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Article: Album Review

Michele Rabbia/Gianluca Petrella/Eivind Aarset: Lost River

Read "Lost River" reviewed by Mark Sullivan


The ECM catalog includes a broad range of musical genres: the only things they have in common are a forward outlook and excellent musicianship. But there are some that are truly beyond category, and this largely improvised album is one of them. Italian percussionist Michele Rabbia, Italian trombonist Gianluca Petrella and Norwegian guitarist Eivind Aarset came ...

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Article: Album Review

Christoph Erb / Michael Vatcher: Yellow Live

Read "Yellow Live" reviewed by John Sharpe


At one time a drum and saxophone encounter would always invoke comparisons with the urtext of John Coltrane's Interstellar Space (Impulse, 1974). While that is still a potent model, present day practice encompasses almost every possible mood and temperament. Swiss saxophonist Christoph Erb and formerly expatriate American drummer Michael Vatcher touch on many such wayward territories ...

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Article: Album Review

The Fictive Five: Anything Is Possible

Read "Anything Is Possible" reviewed by Don Phipps


The music of Larry Ochs's The Fictive Five's Anything Is Possible reminds one of a Rubik's cube, with every twist and turn encouraging more twists and turns, promising a resolution that seems just beyond reach. Ochs and his bandmates use an incredible diversity of sound ranges, rhythms, tones, and electronic effects to fashion their abstractions. At ...

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Article: Album Review

Sam Dillon: Force Field

Read "Force Field" reviewed by Dan Bilawsky


It doesn't take long to realize that Sam Dillon is on to something here. With drummer Anwar Marshall and bassist David Wong laying a grooving foundation on the opening title track, the tenor saxophonist sets off on a mighty chromatic quest. The lines, and what rumbles beneath them, set up an open playing field where pianist ...

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Article: Album Review

AfuriKo: Tao

Read "Tao" reviewed by Geno Thackara


On first impression, AfuriKo seems to sit somewhere between groovy Miles Davis circa Big Fun (Columbia, 1974) and the electric '70s fusion of, say, Joe Zawinul or Jeff Beck. You have the deep rhythms, world- spanning percussion and any tone an electric piano can make. The name is a portmanteau combining the Japanese terms for “child" ...


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