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Terry Waldo & the Gotham City Band: Treasury, Volume 2
by Jack Bowers
Like any other handiwork you can name, contemporary jazz did not emerge from a vacuum. It sprang forth from a variety of sources, including but not limited to bebop, cool jazz, swing, trad jazz (Dixieland), blues, stride and perhaps the granddaddy of them all, ragtime. Yes, ragtime. Before there was King Oliver or Louis Armstrong, Duke ...
Carol Liebowitz and Nick Lyons: The Inner Senses
by Troy Dostert
A freely improvised session for jazz traditionalists--at least, that is one way to characterize this enticing offering from pianist Carol Liebowitz and alto saxophonist Nick Lyons, the follow-up to their duo debut, First Set (Line Art, 2016). While there is a great deal of extemporaneity and surprise on hand, the two seasoned veterans also delight in ...
Snowpoet (Lauren Kinsella & Chris Hyson): Heartstrings
by Geno Thackara
If the soul of a poet is determined to follow the muse anywhere, that means being ready to accept some emotional ups and downs--or if not always ready, then willing to take the ride anyway. Wordsmith Lauren Kinsella and sonic craftsman Chris Hyson have certainly taken their share of creative swings under the Snowpoet name, crossing ...
Jon Cleary: The Bywater Sessions
by Thomas Cole
Interviewed on WWNO in New Orleans, when asked what has inspired his The Bywater Sessions album (and it is an album as the traditional vinyl format is available), the response was simple. Musicians from New Orleans thrive on live performances and, too often for one reason or another, the CDs sold at gigs do not reflect ...
Dave Stryker: Stryker with Strings Goes to the Movies
by Richard J Salvucci
If this recording were named “Dave Stryker Plays Bernard Hermann" (or Miklós Rózsa or Elmer Bernstein), well that would be just fine. They were all gifted composers who wrote film scores. The consensus would likely be that a musician like Stryker was hardly wasting his time, but Stryker With Strings Goes to the Movies hits the ...
Shuffle Demons: Are You Really Real
by Pierre Giroux
There is a unique brand of musical madness that only the Shuffle Demons can conjure--a whirlwind of saxophones, humour, groove and a palpable sense of daring. With Are You Really Real, this storied Canadian outfit delivers a recording that captures the very essence of what made them both a cult favourite and respected presence on the ...
Marty Ehrlich Trio Exaltation: This Time
by Alberto Bazzurro
La prima cosa che ci colpisce--e ci sorprende, anche--di questo album è il fatto che un polistrumentista di regola vorace come Marty Ehrlich vi si dedichi praticamente a senso unico al sax alto, con la sola eccezione di “This Space, This Time," in cui passa al tenore, lasciando tuttavia in un angolo tutto il resto del ...
Mark Masters Ensemble: Sam Rivers 100
by Dan McClenaghan
The Mark Masters Ensemble released Porgy and Bess Redefined! (Capri Records) in 2005. The music was taken from the George Gershwin/DuBose Heyward English-language opera, which was first performed in 1935. Masters' take on the classic was brilliantly expressed by the ensemble, who dug into his adventurous charts with freedom mixed with respect for the familiar and ...
Keith Jarrett: New Vienna
by Mike Jurkovic
What accolade has not been heaped upon the eighty-year-old Keith Jarrett and the music he has bestowed upon the world? So, without embarrassing and overbearing hyperbole, New Vienna is another of those very special recordings Jarrett sculpts from silence with an integral artistry and frequency that, some fifty-odd years after he began this solo journey, still ...
James Brandon Lewis Quartet with Aruán Ortiz, Brad Jones and Chad Taylor: Abstraction Is Deliverance
by Mark Corroto
John Coltrane, Sonny Rollins and David S. Ware cast long shadows over Abstraction Is Deliverance, the fifth release from the James Brandon Lewis Quartet. These tenor saxophone titans have influenced Lewis since his breakout major-label debut Divine Travels (Okeh, 2014). Yet while their legacy is acknowledged, it never overshadows the bold, present-tense expression of Lewis's own ...
