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79

Article: Album Review

Angelika Niescier: Chicago Tapes

Read "Chicago Tapes" reviewed by Glenn Astarita

by Glenn Astarita

When German alto saxophonist Angelika Niescier first explored Chicago jazz a few years ago--teaming with cellist Tomeka Reid on the striking Beyond Dragons (Intakt, 2023)--the collaboration sparked something unmistakably electric. Now comes Chicago Tapes,, recorded live at Transient Sound Studio. Here, Niescier dives headlong into the improvisational deep end of the city, enlisting an all-star lineup ...

22

Article: Album Review

Kate Olson: So It Goes

Read "So It Goes" reviewed by Jack Bowers

by Jack Bowers

There are times when an album slips completely off the rails so abruptly and forcefully that it tarnishes what has come before it as well as what is to follow. Such is the case with Seatte-based saxophonist and composer Kate Olson's album, So It Goes, which is humming briskly along, free from perplexity or discord, until ...

11

Article: Album Review

Ivo Perelman and Wadada Leo Smith: Duologues 5

Read "Duologues 5" reviewed by Hrayr Attarian

by Hrayr Attarian

Tenor saxophonist Ivo Perelman thrives in the company of like-minded artists.  The number of superb duo releases in his prolific body of work is proof of that. On the fifth volume of the Duologues series, he has found a uniquely synergistic match in the trumpeter and composer Wadada Leo Smith.  Smith, a founding member of the ...

1

Article: Album Review

Joëlle Léandre, Lotte Ancker, Kresten Osgood: Worlds

Read "Worlds" reviewed by Neri Pollastri

by Neri Pollastri

Registrato il 6 luglio 2023 a The Playhouse Copenhagen Jazz Festival, questo disco vede all'opera un trio di straordinari improvvisatori radicali europei quali sono la contrabbassista francese Joëlle Léandre, la sassofonista Lotte Anker e il batterista Kresten Osgood, entrambi danesi. I quasi tre quarti d'ora di musica a cui i tre artisti danno vita ...

Article: Album Review

Roy Brooks: The Free Slave

Read "The Free Slave" reviewed by Angelo Leonardi

by Angelo Leonardi

Esistono molte ragioni per non farsi sfuggire questa splendida riedizione (anche in vinile dal master originale analogico). Primo:  Il nome del batterista Roy Brooks resta ingiustamente dimenticato anche se gli unici raffronti possibili--musicalmente parlando--sono con Tony Williams ed Elvin Jones. Affetto da un disturbo bipolare Brooks fu spesso internato in case di cura e in carcere ...

66

Article: Album Review

Dave Mattock: Knucklebox

Read "Knucklebox" reviewed by Glenn Astarita

by Glenn Astarita

Dave Mattock has spent more than two decades quietly building one of Philadelphia's most reliable musical reputations--teaching at Temple, gigging at Ortlieb's, holding down residencies, and releasing records on his own terms. Knucklebox is his fifth album and second with the organ trio Funktap. The title, Mattock has explained, refers to the musical and technical puzzles ...

11

Article: Album Review

Adam Berenson: Everything That No One Ever Saw

Read "Everything That No One Ever Saw" reviewed by Mark Corroto

by Mark Corroto

You may recall Rod Serling's famous introduction to The Twilight Zone (1959-1964): “You unlock this door with the key of imagination. Beyond it is another dimension--a dimension of sound, a dimension of sight, a dimension of mind." Those words provide an apt entry point for pianist and composer Adam Berenson's Everything That No One Ever Saw. ...

6

Article: Album Review

Mammal Hands: Circadia

Read "Circadia" reviewed by David Bruggink

by David Bruggink

On their sixth full-length release, Mammal Hands moves from Manchester's Gondwana Records to the German jazz powerhouse ACT. The former indie label proved an excellent fit for their contemplative piano-saxophone-drums format, which draws from jazz, modern classical, and post-rock in a manner both sensitive and cohesive. ACT's association with the Esbjörn Svensson Trio (e.s.t.) makes the partnership ...

9

Article: Album Review

Gebhard Ullmann: New Conference Call

Read "New Conference Call" reviewed by John Eyles

by John Eyles

In May 2000, at Acoustic Recording, Brooklyn, a quartet entitled Conference Call recorded together for the first time to produce the album Final Answer, which was released on the Soul Note label in 2002. The quartet at that recording session comprised the German Gebhard Ullmann playing bass clarinet and soprano saxophone (he could also play clarinet, ...

3

Article: Album Review

String Trio of New York with Paul Kane: Intimations

Read "Intimations" reviewed by Troy Dostert

by Troy Dostert

In a recording career spanning 19 albums going back to 1979's First String (Black Saint), the String Trio of New York has consistently produced an impressive body of music dedicated to obliterating the boundaries separating jazz from other idioms. The artistic breadth of the group has always resisted easy categorization, as a wide range of classical ...


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