Home » Search Center » Results: Album Review
Results for "Album Review"
Cory Weeds: Cory Weeds Meets Jerry Weldon
by Jack Bowers
A proper response to the statement Cory Weeds Meets Jerry Weldon could well be “it's about time!" Although widely separated geographically--Weeds is Canadian, Weldon a native New Yorker--these masters of the tenor saxophone have been brightening stages and delighting audiences at venues in the U.S. and around the world for decades. And even though they have ...
Ryan Keberle & Collectiv do Brasil: Choro das Aguas
by Katchie Cartwright
Ryan Keberle began to study music at age four in Spokane, first at the piano with his mother, Ann, followed by Suzuki violin lessons. His father Dan, a university jazz director, encouraged him to pick up the trombone at 10, for the sensible reason that he always seemed to be short a trombonist in his ensembles. ...
Álvaro Torres: Iris
by Angelo Leonardi
Tempus fugit. Quest'album fotografa il debutto professionale a New York del pianista madrileno Álvaro Torres, in trio col batterista Barry Altschul e il contrabbassista John Hébert. La registrazione è del luglio 2023 ma già il mese successivo Torres presentava a Barcellona il quartetto europeo con Tony Malaby al sax tenore, Masa Kamaguchi al contrabbasso e Kresten ...
Danny Widdicombe & Trichotomy: Iridescence
by Konstantin N. Rega
Insightful collaboration is at the heart of amazing jazz. Australian group Trichotomy joins with singer-songwriter Danny Widdicombe on Iridescence with conviction and conscientiousness. Jazz infused with roots and folk music makes this release something somewhat rare, featuring a variety of songs, from pure instrumentals to vocal tracks; these two artists achieve an amiable and inspired balance. ...
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders: Ecliptic
by Mark Corroto
Some books are divided into chapters--numbered, titled, and carefully structured. The musical equivalent is the tracklist: segmented, labeled pieces presented in order. But Ecliptic by the trio Shifa (شفاء, Arabic for “healing") rejects that format entirely. This 46-minute set of improvised music by saxophonist Rachel Musson, pianist Pat Thomas and drummer Mark Sanders unfolds without titles, ...
Kevin Brunkhorst: After the Fire
by Jack Bowers
Guitarist Kevin Brunkhorst, an alumnus of the University of North Texas and its celebrated One O'Clock Lab Band, has been teaching jazz in Canada for more than two decades, and his able sidemen on After the Fire are from the Nova Scotia area, where the album was recorded in October 2023. Brunkhorst moves ...
Believers: Hard Believer
by Vincenzo Roggero
Veterano della scena downtown newyorchese (da ricordare almeno il Dave Douglas Tiny Bell Trio, il quartetto Pachora con Jim Black, Chris Speed e Skuli Sverrisson, le collaborazioni con Carla Bley's Escalator Over the Hill, Charlie Haden's Liberation Orchestra, le registrazioni con Paul Motian's Electric Bebop Band o il Paradox Trio con Matt Darriau, Rufus Cappadocia e ...
Cal Tjader: Amazonas
by Richard J Salvucci
Multi-instrumentalist Cal Tjader has been gone for over forty years. Had he lived, he would be in his nineties today. The West Coast scene he entered, first as a drummer, then as a vibraphonist, was a world of clubs, acoustic bands, and enthusiastic promoters who pushed their favorite artists' careers. For Tjader, it was San Francisco, ...
Sam Dillon: My Ideal
by Jack Bowers
Any impartial assessment of My Ideal, Sam Dillon's second album for Cellar Music (following 2018's Out in the Open), should leave no doubt that the New York-born and based tenor saxophonist has definitely hit his stride, punctuating an already strong and persuasive voice on the horn with ample self-confidence and and a bounteous wellspring of innovative ...
Abdou - Gouband - Warelis: Hammer, Roll and Leaf
by John Sharpe
The multinational threesome of French saxophonist Sakina Abdou, French percussionist Toma Gouband and Polish pianist Marta Warelis establishes a striking group identity on Hammer Roll Leaf. From the opening track, “Roll," the trio's compositional instincts and collective discipline distinguish them from the crowded field of free improvisers. Warelis begins with cascading piano figures--robust, resonant and allowed ...
