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Article: Album Review

Saihs: Distopìa

Read "Distopìa" reviewed by Neil Duggan


Distopia is the debut album from Italian sextet Saihs, formed in Florence, Tuscany, in 2023. Although each track is credited to a single composer, the process of shaping each piece was the result of two years of intensive rehearsal sessions at the Scuola di Musica in Campi Bisenzio, under the guiding hand of director Massimo Barsotti. ...

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Article: Album Review

The Brighton Beat: Victory At Last

Read "Victory At Last" reviewed by Mike Jurkovic


For the musically uninitiated and socially marooned, there is a perpetual sense of danceable immediacy to the big, fun Brighton Beat sound. The exact reason for that is that, at any moment--no, make that every moment--there is the potential to shake-your-money-maker around the moon and back again. Measure by measure by measure, the dance floor is ...

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Article: Album Review

Igor Willcox Quartet: Time Traveller

Read "Time Traveller" reviewed by Joshua Weiner


Brazilian drummer Igor Willcox is the descendant of a multi-generational family of musicians, with a conductor-arranger father and vocalist mother. With Swiss phenom Jojo Mayer as a teacher and three decades of performing under his belt, it is perhaps not surprising that Willcox's playing is superb. What astonishes on the Igor Willcox Quartet's fusion album Time ...

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Article: Album Review

Mike Freeman's ZonaVibe: Circles In A Yellow Room

Read "Circles In A Yellow Room" reviewed by Jack Bowers


Circles in a Yellow Room, New York-based vibraphonist Mike Freeman's eighth recording as leader of his own ensembles, has a Latin flavor reminiscent of classic albums by West Coast maestro Cal Tjader. Stylistically, Freeman parallels Tjader and a host of others from Milt Jackson, Terry Gibbs and Gary McFarland to Bobby Hutcherson, Gary Burton, Joe Locke ...

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Article: Album Review

Jake Baldwin: Vanishing Point

Read "Vanishing Point" reviewed by Troy Dostert


Trumpeter Jake Baldwin has been an important presence in the Minneapolis jazz scene since the early 2010s, known especially for a stylistic breadth that can cover the gamut from conventional post-bop fare to rock-inflected fusion. On Vanishing Point, his fourth release for Shifting Paradigm Records, he digs deeper into the latter mode, making good use of ...

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Article: Album Review

Miguel Ângelo Trio: Distopia

Read "Distopia" reviewed by Andrew Hunter


Portuguese double-bassist Miguel Ângelo is a busy guy. He leads a quartet, with which he has released three records, as well as the trio he appears with here. He is also a member of several other small groups and has, fairly uniquely, released a record of solo double bass--the splendidly titled I Think I'm Going To ...

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Article: Album Review

Ivo Perelman: Armageddon Flower

Read "Armageddon Flower" reviewed by John Sharpe


Pianist Matthew Shipp serves as the fulcrum of Armageddon Flower, a riveting quartet date that unites two longstanding units: the duo with tenor saxophonist Ivo Perelman, and his String Trio with violist Mat Maneri and bassist William Parker. However, no-one is confined by past roles. Each of these four players has collaborated in multiple configurations over ...

Article: Album Review

Kaisa Mäensivu: Moving Parts

Read "Moving Parts" reviewed by Vincenzo Roggero


Di origine finlandese, da tempo residente a New York, la contrabbassista e compositrice Kaisa Maensivu fonda l'ensemble denominato Kaisa's Machine nel 2015 e, dopo l'album di esordio nel lontano 2017, approda alla prestigiosa Greenleaf di Dave Douglas nel 2023 con Taking Shape ed ora con il recentissimo Moving Parts. Nel corso degli anni e ...

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Article: Album Review

Fabia Mantwill Orchestra: In.Sight

Read "In.Sight" reviewed by Neil Duggan


Slow, haunting strings usher listeners into Fabia Mantwill Orchestra's ambitious album In.Sight. This bold statement involves a 32-piece orchestra with six virtuoso soloists, performing compositions co-written by Mantwill, Snarky Puppy's Michael League and Greek composer Magdalini Giannikou. The album opens with “Satoyama," where those melancholic strings gradually bloom into bright melodic passages. The piece ...

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Article: Album Review

William Carn's Choices: The Unburdening

Read "The Unburdening" reviewed by Dan McClenaghan


The Covid pandemic allowed Canadian trombonist William Carn to push toward electronics, to move in the direction of going remote with his fellow players for the process of putting a set of sounds together. His debut album, 2023's self-produced Choices (review here) started the process. He doubles down (a much-heard phrase in the 2020s, thanks to ...


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