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Carl Schultz: The Road to Trantor
by Jack Bowers
Saxophonist Carl Schultz composed The Road to Trantor as the soundtrack to a science fiction film. The kicker is that the film exists only in Schultz's head. When writing each song, he tried to envision the scene in which it would be used. In that sense, the music is thematic, even though the themes are known ...
Bugge Wesseltoft: Am Are
by John Eyles
Jens Christian Bugge Wesseltoft was born in Porsgrunn, Norway, in February 1964 , the son of Erik, a guitarist. Thankfully, he was soon just known as Bugge and people learned that his first name is pronounced “Boogie" not “Bug" or “Bugga... “ Having flirted with a punk band that he did not enjoy much, Wesseltoft moved ...
Keiji Haino, Natsuki Tamura: What Happened There?
by Neri Pollastri
Singolare e creativo chitarrista dalla lunga carriera con esperienze nel rock e nella musica sperimentale, il giapponese Keiji Haino, classe 1952, è qui ripreso durante un concerto dal vivo presso il Shinjuku Pit Inn di Tokyo, in duo con il connazionale trombettista Natsuki Tamura, compagno artistico e di vita di Satoko Fujii: trentacinque minuti di performance ...
Rahsaan Roland Kirk: Seek & Listen: Live At The Penthouse
by Dan McClenaghan
Most jazz fans are likely familiar with the visual images that are usually tagged onto the music of Rahsaan Roland Kirk (1935 -1977)--photos of a man in black sunglasses with three (or more) reed instruments around his neck and/or in his mouth. That these optics often precede the experience of the music is ironic, since Kirk ...
Will Barnes Quartet: Outside the Light
by Neil Duggan
Once an area of contention, the border between England and Wales, known as the Welsh Marches, is now a lovely rural region of farms, valleys, hills and castles. The Will Barnes Quartet draw inspiration from this landscape, as well as that of Mid Wales, to drive their compositions and improvisations on Outside The Light. This major ...
Benoit LeBlanc: Mô kouzin mô kouzinn
by Don Ball
If you were ever curious as to what pre-jazz music might have sounded like in the Louisiana area, then Benoît LeBlanc's Mô kouzin mô kouzinn is the album for you. LeBlanc presents 27 Creole songs that in many ways form the basis for the emergence of jazz in New Orleans in the late 19th century, songs ...
Alex Chadsey: Invocation
by Paul Rauch
The fourth album from the trio Duende Libre is entitled Invocation, the act of summoning a deity or the supernatural. The band's name itself is rooted in flamenco culture, a term of great emotion that identifies a magical quality in an artist. The concept was famously theorized by Spanish poet Federico Garcia Lorca, identifying elements that ...
The Afro-Caribbean Jazz Collective: Cortadito
by Jack Bowers
The Afro-Caribbean Collective is a high-energy nonet led by Puerto Rican-born guitarist Jose Guzman. On Cortadito, the ensemble's fourth album, the accent as always is on the lively rhythms and charming melodies of Guzman's home country and nearby equatorial locales. There is one immediate problem, as Guzman writes that his composition “Orchard Downs" is ...
Marcin Bożek & Danny Kamins: Ignorantka
by Mark Corroto
Even if you do not speak Polish--and I count myself among those who do not--you can still grasp the meaning behind Ignorantka, the 2025 collaboration between bassist Marcin Boźek and saxophonist Danny Kamins. The word translates roughly to “ignorant," but here it carries a more nuanced meaning: not simply uneducated, but unaware--blind to what lies beyond ...
Patricia Brennan: Of the Near and Far
by Angelo Leonardi
In un paio d'anni, Patricia Brennan è balzata ai vertici del jazz più innovativo. Se già il magistrale e pluripremiato Breaking Stretch (Pyroclastic Records, 2024) era un salto avanti rispetto ai precedenti More Touch (Pyroclastic Records, 2022) e Maquishti, stavolta la vibrafonista d'origine messicana presenta un'opera ancor più sorprendente, cambiando organico in un'esplorazione ambiziosa e audace. ...
