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Article: Album Review

Chicago Underground Duo: Hyperglyph

Read "Hyperglyph" reviewed by James Taylor

by James Taylor

International Anthem is a fitting home for the first Chicago Underground Duo album after an 11-year hiatus. The Chicago-based and buzzworthy label has carried the torch for avant-garde sounds in the city since 2014, and trumpeter and composer Rob Mazurek and drummer Chad Taylor are no strangers to the label's catalog, performing together on multiple IARC ...

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Article: Album Review

Michael Wollny Trio: Living Ghosts

Read "Living Ghosts" reviewed by Vic Albani

by Vic Albani

Riconosciuto ormai da anni quale uno dei migliori musicisti tedeschi in circolazione, Michael Wollny, schivo pianista nato nella primavera del 1978 a Schweinfurt (Baviera, Bassa Franconia) ma residente ormai da anni a Lipsia dove è professore alla Hochschule für Musik und Theater, regala con questo Living Ghostsuna sorta di summit di almeno un decennio di lavoro ...

Article: Album Review

Alex Harding, Lucian Ban: Blutopia

Read "Blutopia" reviewed by Neri Pollastri

by Neri Pollastri

Il pianista Lucian Ban e il sassofonista baritono Alex Harding, assidui collaboratori dalla fine degli anni Novanta, riuniscono qui un quintetto di stelle per interpretare una musica assai diversificata di brano in brano e la cui sintesi è forse espressa da una citazione del filosofo Ibn Al-Arabi riportata nel libretto, la quale celebra il movimento quale ...

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Article: Album Review

Catina DeLuna & Otmaro Ruíz: Lado B Brazilian Project 2

Read "Lado B Brazilian Project 2" reviewed by Katchie Cartwright

by Katchie Cartwright

In a time of disembodied digital-only releases, luxuriously well-crafted albums like Catina DeLuna and Otmaro Ruiz's Lado B Brazilian Project 2, with physical disk, album notes, lyric translations and evocative graphics, can really be the balm. The project was born in 2015 with the release of Lado B Brazilian Project (Self Produced), which received ...

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Article: Album Review

Rent Romus, Tatsuya Nakatani: Uplift

Read "Uplift" reviewed by Glenn Astarita

by Glenn Astarita

Venerable woodwind ace, composer and fierce improviser Rent Romus has long been a cornerstone of the West Coast's avant-garde jazz scene. Tatsuya Nakatani, a Japanese-born percussionist and sound artist, is renowned for his innovative approach, wielding an arsenal of drums, gongs and indigenous instruments. He often crafts visceral soundscapes that dance between silence and chaos. Together, ...

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Article: Album Review

Ron Blake, feat. Reuben Rogers & John Hadfield: SCRATCH Band

Read "SCRATCH Band" reviewed by Jack Bowers

by Jack Bowers

There several interesting features that single out saxophonist Ron Blake's new recording with what he refers to as his SCRATCH Band. First, the Puerto Rican-born Blake, best known for his work on tenor saxophone, plays baritone sax on five of the album's nine numbers, tenor sax on only three, tenor and soprano (separately) on one of ...

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Article: Album Review

Roger Glenn: My Latin Heart

Read "My Latin Heart" reviewed by Pierre Giroux

by Pierre Giroux

Roger Glenn, son of the renowned instrumentalist Tyree Glenn, has never been content to stay in one lane. A master of reeds and vibraphone, he continues to embody the spirit of crossing boundaries. On My Latin Heart, Glenn undertakes an energizing session that celebrates the rhythmic vitality of the African diaspora as much as it serves ...

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Article: Album Review

Bremer / McCoy: Kosmos

Read "Kosmos" reviewed by Neil Duggan

by Neil Duggan

It may seem unlikely, but two Danish musicians--one living on a farm commune, the other in a fast-paced urban environment, have amassed over 600,000 monthly listeners on Spotify. The two former schoolmates, bassist Jonathan Bremer and pianist/tape delay specialist Morten McCoy, formed Bremer/McCoy in 2012, initially to play dub music, but their sound has since evolved ...

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Article: Album Review

Jon Irabagon / PlainsPeak: Someone to Someone

Read "Someone to Someone" reviewed by Jack Kenny

by Jack Kenny

Jon Irabagon is a musician whose complexity is both exhilarating and daunting. His restless energy, deep self-reflection, remarkable achievements and sharp intellect combine to create a figure who constantly provokes questions--about music, originality and the very nature of artistic expression. In 2011, Irabagon undertook a bold experiment: With Mostly Other People Do The Killing, ...

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Article: Album Review

Rodrigo Amado / Chris Corsano: The Healing

Read "The Healing" reviewed by Troy Dostert

by Troy Dostert

Among recent partnerships in free improvisation, the saxophone/drum tandem of Rodrigo Amado and Chris Corsano has been one of the most dynamic and incendiary. They have joined forces in one form or another since the early 2010s; the recording which first put them on the map was their effort with Joe McPhee and Kent Kessler, the ...


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