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Cliff Korman: Urban Tracks
by Richard J Salvucci
An avid listener of Brazilian music could go crazy trying to figure out exactly where Cliff Korman comes down musicially. His opening track , “Cheio de Malicia" could almost be taken for some sort of stride-bossa--the same feel pops up on “Canhoto" too--with allusions to Kenny Barron, Vince Guaraldi, McCoy Tyner even. Paired with bassist Harvie ...
Stemeseder Lillinger + Craig Taborn: Umbra III
by Mark Corroto
Sometimes, the subversion of established paradigms unfolds through incremental variations and subtle shifts in the status quo--so gradual they can be almost imperceptible. Other times, transformation arrives in the form of unexpected revolutions, seismic and undeniable. Somewhere between these two extremes lie the musical experiments of Elias Stemeseder and Christian Lillinger. The Austrian-German duo--pianist, ...
Barb Jungr and her Trio featuring Simon Wallace: Hallelujah On Desolation Row: The Songs of Bob Dylan & Leonard Cohen
by John Eyles
In 1984, Barb Jungr's first album Bouquet of Barbs (Magnet) was released soon after she had turned thirty; she was credited with writing eight of that album's twelve tracks. In 2025, Jungr's album Hallelujah On Desolation Row: The Songs of Bob Dylan & Leonard Cohen was released. Needless to say, Jungr did not write any of ...
Believers: Hard Believer
by Dan Bilawsky
Belief--the cornerstone of conceptual development and the impetus for any pursuit, artistic or otherwise--is central to the shared mission binding guitarist Brad Shepik, bassist Sam Minaie and drummer/percussionist John Hadfield in this aptly titled trio. Through their eponymous 2020 debut--a strong album that flew under the radar due to its pandemic-era release timing--these three established an ...
Satoko Fujii GEN: Altitude 1100 Meters
by Dan McClenaghan
With over a hundred album releases in her discography, featuring solo outings and big band bashes and everything in between, pianist-composer Satoko Fujii could be thought to have “done it all." But there was a missing link. Strings. Though she had recorded in duet outings with violinists Mark Feldman and Carla Kihlstedt, she had never written ...
Sivan Arbel: Oneness
by Katchie Cartwright
Sivan Arbel's compositional practice is alternately “nerdy," as the singer-composer describes it, and “stream of consciousness." In her studio, she labors meticulously over the nuts and bolts: rhythmic patterns, harmonic changes, melodic turns. Once the fundamental elements are in place, though, she sits at her piano and “squeezes the sponge," improvising words and music freely, reaching ...
Jon Irabagon: Server Farm
by Dan McClenaghan
"The times they are a-changin.'" Bob Dylan said that in 1964. He was right. In 2025, they are still changing, perhaps most notably with the emergence of artificial intelligence. That previously slow creep--outlined so accurately in Arthur C. Clarke's novel 2001: A Space Odyssey in 1968, paired with Stanely Kubrick's movie of the same name--will build ...
Keiji Haino / Natsuki Tamura: What Happened There?
by Mark Corroto
Unexpected one-off collaborations in creative music have often thrilled and captivated listeners, yielding results as unpredictable as they are unforgettable. Consider Embraced (Pablo Live, 1978) by Cecil Taylor and Mary Lou Williams, the genre-spanning brilliance of Duke Ellington & John Coltrane (Impulse!, 1963), or the boundary-pushing sonic landscapes of My Life in the Bush of Ghosts ...
Zach Adleman: We Make: Stories For A New Day
by Jack Bowers
For someone not that long out of college, New York City-based drummer Zach Adleman has kept a full dance card, leading to the release of his impressive debut recording, We Make: Stories for a New Day, on which Adleman leads a nimble sextet through its paces on 11 charming and upbeat songs, nine of which he ...
Benjamin Lackner: Spindrift
by Mario Calvitti
Il nuovo lavoro del pianista berlinese Benjamin Lackner, Spindrift, non si distacca molto dal precedente Last Decade, anch'esso pubblicato da ECM un paio di anni fa. La differenza principale è la presenza di una seconda voce strumentale, quella del sax tenore di Mark Turner, che si affianca alla tromba di Mathias Eick nell'esposizione e elaborazione dei ...
