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Sergio Pamies: Time to Say
by Jack Bowers
Spanish themes and rhythms reign supreme on Time to Say, Granada-born composer, arranger and pianist Sergio Pamies' fourth album, one that is enhanced on its opening and closing numbers, respectively, by the presence of renowned woodwind artists Dave Liebman and Paquito D'Rivera. Not that Pamies' septet needs much help, as everyone is laser-focused ...
Jorge Cariglino: After the Storm
by Fran Kursztejn
Spanish-Argentinian guitarist Jorge Cariglino has maintained an important influence on the jazz game in Madrid for most of his life. He teaches in there, plays with a variety of local and international masters and bolsters an under-reported community to new heights of experimentation and collaboration, despite an unusually slim catalogue of recorded works. After the Storm ...
Nicole Johänntgen: Labyrinth II
by Alberto Bazzurro
Una sassofonista tedesca, un tubista di Seattle e un percussionista svizzero che ha studiato a Cuba, in Brasile e in Africa occidentale, tutti oggi di stanza a Zurigo, compongono questo singolare trio la cui componente principale parrebbe di primo acchito il dinamismo, lo stantuffare ritmico, la vitalità. In realtà, col progredire dei brani (tutti di Nicole ...
Branford Marsalis Quartet: Belonging
by Mike Jurkovic
For his Blue Note debut, saxophonist Branford Marsalis and his long-standing quartet--pianist Joey Calderazzo, bassist Eric Revis and drummer Justin Faulkner--hit the sweet spot again and again and again, reinterpreting and re-imagining Keith Jarrett's epochal 1974 ECM classic, Belonging. Not only did Jarrett introduce the world to his no-holds-barred fear-no-idea European quartet--saxophonist Jan Garbarek, ...
Chris Varga: Breathe
by Dan McClenaghan
Setting up shop as a jazz artist in Seoul, South Korea, is probably not the recommended way of raising the profile in the United States. But vibraphonist Chris Varga, who worked the jazz scene in Chicago during the '90s, made that trans-Pacific move and set himself up as a busy and prolific player in Korea's vibrant ...
Amber Weekes: A Lady With a Song
by Katchie Cartwright
Irving Berlin wrote Suppertime" (aka Supper Time") for As Thousands Cheer (1933), a topical revue with several stars and many musical numbers. Ethel Waters introduced it, making history as the first African American woman to star on Broadway. Berlin wrote it specifically for Waters, who also sang his lighthearted Heat Wave" in the show.
Okonski: Entrance Music
by Ian Patterson
A signature sound--whether for an individual musician or a band--comes naturally to some but remains elusive to others. It is worth its weight in gold, making the jobs of publicists, club owners, festival organizers and journalists that much easier. Okonski, the trio of pianist Steve Okonski, bassist Michael Montgomery, and drummer Aaron Frazier, occupies ...
Tom Keenlyside: Third Street Wobble
by Jack Bowers
Tom Keenlyside, a saxophonist from Vancouver, British Columbia, who has performed in his native Canada and around the world with a who's who of jazz and pop musicians, leads an impressive quintet on Third Street Wobble, his seventh recording as a leader or member of various groups, on many of which his flute has been in ...
Greg Burk / Michel Lambert: Wind Forms
by Mark Corroto
"Music is at its best when it brings the human imagination to light." Pianist Greg Burk wrote these words inside the cover of his 2009 release, Many Worlds (482 Music). Throughout his career, his music has embodied this idea, and Wind Forms is no exception. That earlier release featured a quartet, including drummer Michel ...
Satoko Fujii Tokyo Trio: Dream a Dream
by Dan McClenaghan
Pianist Satoko Fujii's artistic vision has held a sharp focus since her recording debut in the late '90s. She has maintained that focus in almost every jazz ensemble configuration imaginable. That unwavering focus, combined with a superhuman creative momentum, has resulted--as of 2025--in a discography of more than a hundred albums. She has been especially effective ...


