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Winter 2022
by Doug Collette
Blues Deluxe is a regular column comprised of pithy takes on recent blues and roots-music releases of note, spotlighting titles in those genres that might otherwise go unnoticed under the cultural radar. The Ronnie Wood Band Mr. Luck: A Tribute to Jimmy Reed Live at the Royal Albert Hall BMG
Dave McMurray: Blowing on the Edge of Grate-ness
by Lawrence Peryer
Saxophonist Dave McMurray's discography is reflective of the musical melting pot of his hometown Detroit. Dave came up playing with everyone from bluesman Albert King, pianist Geri Allen, even Kid Rock. He is most known for his decades-long association with eclectic producer, and Blue Note label President, Don Was. Through Was, who ...
The First Generation 1965-1974
by John Kelman
What do guitarists Eric Clapton, Peter Green, Mick Taylor, Jon Mark, Harvey Mandel and Freddy Robinson, reed/woodwind multi-instrumentalists John Almond, Ray Warleigh, Alan Skidmore, Dick Heckstall-Smith, Red Holloway and Ernie Watts, bassists John McVie, Jack Bruce, Andy Fraser, Tony Reeves, Stephen Thompson and Larry Taylor, drummers Mick Fleetwood, Keef Hartley, Aynsley Dunbar, Jon Hiseman and Collin ...
Bahama Soul Club: Bohemia After Dawn
by Chris M. Slawecki
Soulful original music laced with judicious and striking samples, Bohemia After Dawn serves a textbook example of music that packs an impact larger than the sum of its parts. Written, arranged, produced and performed by Oliver Belz and André Neundorf (the Bahama Soul Club) plus guest musicians and singers live and looped, Bohemia After Dawn sets ...
Soul Songs, Mose Songs & COVID Aid for Djibouti
by Chris M. Slawecki
Bahama Soul Club Bohemia After Dawn Buyú Records 2020 Soulful original music laced with judicious and striking samples, Bohemia After Dawn serves a textbook example of music that packs an impact larger than the sum of its parts. Written, arranged, produced and performed by Oliver Belz ...
Five Guitarists With the Blues
By 1971, my family had moved out of Manhattan for the northern reaches of Westchester County. I wasn't happy about being there, but it was better than dealing with overcrowded classrooms in the city and muggings in school stairways. Craving the city at 15, I started taking the train into New York to spend hours at ...
John Scofield As A Sideman: The Best Of…
by Ian Patterson
John Scofield is a modern-day jazz legend, one of the most instantly recognizable voices on the guitar, and an inspiration to many. In a solo career that began in earnest in 1977, Scofield has carved out his own sound on dozens of albums, including his tribute to Steve Swallow, Swallow Tales (ECM, 2020), a trio album ...
B.B. King: Through the Years
by Alan Bryson
Sixty-six years passed from the time in 1948 when Riley King auditioned for a spot on Sonny Boy Williamson's radio program, until his final performance at the House of Blues on October 3, 2014 in Chicago. His life was a remarkable odyssey from a sharecropper's cabin to the pinnacle of success. We'll never know how many ...
Top Ten Horizontal Guitar Players
by Alan Bryson
Who could have imagined that a few serendipitous events on a remote Pacific island in the 19th century would fundamentally change American music. In 1832 Hawaii's king brought Mexican cowboys to the Big Island to teach native Hawaiians how to gain control of their rapidly increasing cattle population. As luck would have it, some of these ...
Results for pages tagged "albert king"...
Albert King
Born:
Bluesman Albert King was one of the premier electric guitar stylists of the post-World War II period. By playing left- handed and holding his guitar upside-down (with the strings set for a right-handed player), and by concentrating on tone and intensity more than flash, King fashioned over his long career, a sound that was both distinctive and highly influential. He was a master of the single-string solo and could bend strings to produce a particularly tormented blues sound that set his style apart from his contemporaries. King was also the first major blues guitarist to cross over into modem soul; his mid- and late 1960s recordings for the Stax label, cut with the same great session musicians who played on the recordings of Otis Redding, Sam & Dave,Eddie Floyd, and others, appealed to his established black audience while broadening his appeal with rock fans. Along with B.B
