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Jazz, Zen, and Hip-Hop: The 2019 Montreal Jazz Festival
by Matt Hooke
Exploring the grounds of the Montreal Jazz Festival is like going to all you can eat Las Vegas buffet. “Look over there at table four; there's Dixieland. Wait at table six, there's Latin jazz, supposedly the main table as a new head chef, let's go there." You can stuff yourself by going ...
Jazz Musician of the Day: Albert Ayler
All About Jazz is celebrating Albert Ayler's birthday today! Tenor saxophonist Albert Ayler was born on July 13th 1936 in Cleveland Heights, Ohio. He learned to play the alto sax at a young age. His father, Edward, encouraged his musical interests and was his first teacher. Albert Ayler continued his musical education at John Adams High ...
Patrick Brennan / Abdul Moimême: Terraphonia
by Karl Ackermann
Somewhere on a timeline that includes studying guitar in Madrid and architecture in Boston, Portuguese native Abdul Moimême studied saxophone with American artist Patrick Brennan. Moimême has been prolific as part of almost two-dozen leader/co-leader releases since his debut Nekhephthu (Creative Sources, 2008). Brennan is lightly recorded with four leader dates over the past two decades. ...
John Dikeman And The Origin Of The Species
by Mark Corroto
If we were to go searching for saxophonist John Dikeman's spirit animal, we might have to bypass beast for sapien. Let's just say his spirit animal is the father of punk, Iggy Pop. Like early music by The Stooges, Dikeman's sound makes reference to the music of both Albert Ayler and Pharoah Sanders. It's a shame ...
Paul Flaherty: Focused and Bewildered
by Troy Dostert
Saxophonist Paul Flaherty has long been one of the foremost exponents of the fire-breathing, free-jazz tradition of Albert Ayler, Peter Brötzmann and Charles Gayle. He is certainly one of the most prolific, with scores of recordings under his belt. When he joins forces with frequent collaborators such as Chris Corsano, Wally Shoup or Bill Nace, the ...
Experimentalists: Talking with Adam Berenson, Dana Jessen, and Abdul Moimême
by Karl Ackermann
The newly opened Théatre des Champs-Elysées was sold out on the night of May 29, 1913. The well-heeled Parisian audience had come to enjoy the much-anticipated premiere of Igor Stravinsky's “Rite of Spring" which featured the choreography of the acclaimed Russian ballet dancer Vaslav Nijinsky. Some accounts of what transpired that night appear to be exaggerated. ...
Moppa Elliott: Jazz Band/Rock Band/Dance Band
by Jerome Wilson
Bassist Moppa Elliott is best known as the leader of the surrealistic jazz group, Mostly Other People Do The Killing, but his musical universe, encompassing work with symphony orchestras and new music ensembles, stretches much farther than that band's frantic music. This is reflected in this 2 CD set of Elliott leading three different types of ...
A Pride Of Lions: A Pride Of Lions
by John Sharpe
Beneath the banner A Pride Of Lions, three American and two French musicians join forces for a cohesive off-the-wall encounter. The outfit merits a name as it's not a one-off. This live recording was culled from a ten-date tour in early 2016, under the auspices of The Bridge, which allowed them to build trust and understanding. ...
Results for pages tagged "Albert Ayler"...
Steve Tintweiss
Born:
ASCAP Composer, Bassist, Bandleader, Producer of Steve Tintweiss Spacelight Band, the Purple Why Free Jazz Legacy, and Inkwhite Productions for Ultra Music Frontier. Founder/Chairman of New York Free Music Committee presenting summer concert series at Forest Park Bandshell in Queens for almost 40 years. Bass player on historical recordings with Albert Ayler, Patty Waters, Burton Greene, Frank Wright and many other innovators. As a concert organizer he has always emphasized mixing presentations of avant-garde jazz and new music, often combined with classical soloists, poets, and cutting edge rock groups for public audience events
Assif Tsahar: In Between the Tumbling a Stillness
by Mark Corroto
As the saying goes, In Between The Tumbling A Stillness, recorded in 2015 in Tel Aviv, “comes in like a lion and goes out like a lamb." Saxophonist Assif Tsahar, who sticks to tenor throughout, opens “In Between" like a lion, if that lion were Albert Ayler. The 35-minute piece draws from the fire music of ...
