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Musician

Alan Shorter

11

Article: Album Review

Marion Brown: Why Not? Porto Novo! Revisited

Read "Why Not? Porto Novo! Revisited" reviewed by Chris May


Alto saxophonist Marion Brown was part of the band on John Coltrane's Ascension (Impulse, 1965), though you would not guess it from Why Not (ESP, 1968). Like fellow Ascension alumnus, tenor saxophonist Pharoah Sanders' contemporaneous Tauhid (Impulse, 1967), Brown's album inhabited an intensely melodic section of the 1960s' New Thing. As were Sanders' own-name ...

6

Article: Album Review

Marion Brown: Capricorn Moon To Juba Lee Revisited

Read "Capricorn Moon To Juba Lee Revisited" reviewed by Chris May


The release of this album is an event momentous enough to warrant repeating the preamble to the previously published review of Albert Ayler's Quartets 1964: Spirits To Ghosts Revisited.... Before considering the music on this disc, something else has to be celebrated--the resurrection of Werner X. Uehlinger's Hat Hut label (see past profiles). Founded ...

16

Article: Interview

Dave Burrell: Pianist Navigating the Windward Passages

Read "Dave Burrell: Pianist Navigating the Windward Passages" reviewed by Victor L. Schermer


Dave Burrell is a master pianist and composer who encountered the avant-garde in the 1960s and has been following his own independent path ever since. He combines classical and jazz elements that are both “inside" and “outside" the mainstream. The title of a poem by J.V. Cunningham, “The Metaphysical Amorist" characterizes much of his playing, which ...

4

Article: Album Review

Brian McCarthy: This Just In

Read "This Just In" reviewed by Hrayr Attarian


Jazz is not the first thing that comes to mind when thinking of Vermont but the state, despite its size, has had a long involvement with improvised music. Trumpeters Alan Shorter and Bill Dixon taught at Bennington College and guitarist Attila Zoller founded the Vermont Jazz Center in Brattleboro. In addition to having a small yet ...

131

Article: Album Review

David S. Ware / Cooper-Moore / William Parker / Muhammad Ali: Planetary Unknown

Read "Planetary Unknown" reviewed by Troy Collins


Renowned saxophonist David S. Ware continues to explore new avenues following his successful kidney transplant two years ago. Since then, Ware released Saturnian (AUM Fidelity, 2009), a stoic solo set, and Onecept (AUM Fidelity, 2010), a bristling trio excursion with bassist William Parker and drummer Warren Smith. Planetary Unknown surpasses even these notable recordings, featuring an ...

209

Article: Album Review

David S. Ware / Cooper-Moore / William Parker / Muhammad Ali: Planetary Unknown

Read "Planetary Unknown" reviewed by Nic Jones


Planetary Unknown marks the first time this quartet played together, though that isn't apparent, given the music's deep roots and connections. Drummer Muhammad Ali is brother to Rashied, who worked with John Coltrane's post-Elvin Jones group. This is his first appearance on record since the early 1980s, and he brings a wealth of ...

1,171

Article: Interview

Muhammad Ali: From a Family of Percussionists

Read "Muhammad Ali: From a Family of Percussionists" reviewed by Clifford Allen


Though not as well known as his brother, drummer Rashied Ali (1935-2009), Muhammad Ali spent the 1970s as one of the busiest drummers in free jazz, primarily working in a cooperative Paris-based quartet with saxophonist Frank Wright, pianist Bobby Few and bassist Alan Silva, and known as the Center of the World Quartet. Born in Philadelphia ...

763

Article: Extended Analysis

Marion Brown: Why Not?

Read "Marion Brown: Why Not?" reviewed by Clifford Allen


Marion Brown Why Not? ESP-Disk 2009 (1966) While the term “fire music" has held sway as a descriptor of the music of post-John Coltrane/Albert Ayler saxophonists from the 1960s onward, it's long been an incomplete summation of the work of most of these musicians. Alto saxophonist Marion Brown ...

Album

Orgasm

Label: Unknown label
Released: 1969


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