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Article: Year in Review

2019: The Year in Jazz

Read "2019: The Year in Jazz" reviewed by Ken Franckling


The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...

Album

Dream Time

Label: Enja Records
Released: 2019
Track listing: Trieste My Love; Genesis; For Coltrane; Blue Bolero; Nisa; Blue Bolero; Capetown District Six; Sotho Blue; Machopi; Whoza Mtwana; Blues For A Hip King; Dream Time; In The Evening; Song For Lawrence Brown; Blue Bolero; Dedication To Duke Ellington; The Balance; Aspen; Did You Hear That Sound; Blue Bolero.

Album

The Balance

Label: Gearbox Records
Released: 2019
Track listing: Side 1: Dreamtime; Nisa; Jabula; Tuang Guru; Tonegawa. Side 2: Song For Sathima; ZB2; Skippy; Devotion; The Balance.

9

Article: Live Review

Falcarragh Winter Jazz Festival 2019

Read "Falcarragh Winter Jazz Festival 2019" reviewed by Ian Patterson


Falcarragh Winter Jazz Festival Various venues Falcarragh, Ireland December 6-7, 2019 Two days, three venues and six gigs. Small but beautiful. After the success of its inaugural edition in 2018, Falcarragh Winter Jazz Festival returned to the west-Donegal town with almost exactly the same format, and bar one eleventh hour ...

5

Article: Album Review

Avishai Cohen and Yonathan Avishai: Playing The Room

Read "Playing The Room" reviewed by Michael McKinney


Playing the Room, a record pairing New York-based trumpet player Avishai Cohen and Burgundy-based pianist Yonathan Avishai, is a restrained and joyous affair. Their playing glows with a quiet delight, as though the musicians were glad for the simple act of playing together. That rarely comes out in overt and loud celebration, however—this is ...

Article: Live Review

Abdullah Ibrahim al Roma Jazz Festival

Read "Abdullah Ibrahim al Roma Jazz Festival" reviewed by Serena Antinucci


Abdullah Ibrahim Roma Jazz Festival Auditorium Parco della Musica 17.11.2019 Mi piace pensare che Abdullah Ibrahim, mentre cammina lentamente verso il pianoforte della Sala Sinopoli, stia pensando al potere dell'istante. Come scriveva il poeta ottantacinquenne Jorge Luis Borges: “Nel caso non lo sappiate, di quello è fatta la vita, solo di ...

40

Article: Interview

Claude Cozens: Reimagining Rhythm

Read "Claude Cozens: Reimagining Rhythm" reviewed by Seton Hawkins


The Cape Jazz sound of South Africa is known to international audiences primarily thanks to the music of pianist Abdullah Ibrahim. However, the music and traditions of Cape Town and the Western Cape run much deeper, reflecting an extraordinary, sometimes contradictory, and exceedingly complex set of cultures and traditions reflected in the area. Within this environment ...

6

Article: Live Review

Enrico Rava Special Edition at Teatro Nuovo

Read "Enrico Rava Special Edition at Teatro Nuovo" reviewed by Francesco Martinelli


Enrico Rava Special Edition Pisa Jazz Teatro Nuovo Pisa, Italy Sept. 25 2019 Enrico Rava, the musician who almost single-handedly gave Italian jazz an international profile in the '70s with his recordings, turns 80 this year and celebrates the milestone in the way he knows best: in music. He's ...

13

Article: Live Review

Italian Showcase Festival and Fringe Program, Novara

Read "Italian Showcase Festival and Fringe Program, Novara" reviewed by Ludovico Granvassu


Part 1 | Part 2 | Part 3 European Jazz Conference 2019: Italian Showcase Festival and Fringe Program Various venues Novara, Italy September 11-15, 2019 At a time when the ideals of unity and transnational solidarity that represented the founding values of modern-day Europe seem to be faltering under ...

10

Article: Album Review

Abdullah Ibrahim: Dream Time

Read "Dream Time" reviewed by Chris May


Stream-of-consciousness solo-piano recitals come in as many shades as jazz itself. At one extreme are Keith Jarrett's messianic epics. At another are Abdullah Ibrahim's less flashy but deeper outings. Ibrahim's style is about substance, space and subtlety. He says more by doing less. Duke Ellington and Thelonious Monk, after all, were his formative influences.


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