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South African Pianist Jason Reolon Interviewed at All About Jazz...And More!
South Africa may well be in the midst of its third jazz renaissance. While the late 1950s saw the rise of legendary artists such as Kippie Moeketsi, Abdullah Ibrahim, and Philip Tabane, the early 1990s marked the emergence of trailblazers Moses Taiwa Molelekwa and Zim Ngqawana. The past five years have born witness to a surge ...
Take Five With Tim Richards
by AAJ Staff
Meet Tim Richards: Tim's first encounter with a piano was at the age of eight, in a dentist's waiting room. After classical piano lessons he taught himself jazz and blues from the age of 14, after seeing Thelonious Monk on TV.Since forming the long-lived modern jazz quartet Spirit Level in Bristol in ...
Wolfgang Muthspiel: Drumfree
by Raul d'Gama Rose
Drumfree contains some of the most stimulating three-way counterpoint written and played in a long time. All of the compositional credit goes to Wolfgang Muthspiel, the composer; but making it all come alive is Muthspiel, the guitarist, and his chosen partners for this date: saxophonist Andy Scherrer and bassist Larry Grenadier. Muthspiel leads from the front ...
TD Toronto Jazz Festival, Days 4-10: June 27-July 3, 2011
by Alain Londes
TD Toronto Jazz Festival 2011Toronto, CanadaJune 24-July 3, 2011 Monday, June 27, 2011On Monday evening, fans had a few hard choices to make among the headliners. At Koerner Hall, award-winning Dee Dee Bridgewater paid tribute to Lady Day, Billie Holiday. Meanwhile at the Enwave Theatre, Kurt Elling ...
Laszlo Gardony: Signature Time
by Raul d'Gama Rose
As composer, Laszlo Gardony posits--without much opposition--that the inspiration of all modern music owes a debt to the birthplace of culture and sound: Africa. As a composer and pianist he develops his hypothesis with Signature Time, an album of considerable and somewhat dark beauty. Driven by the percussive nature of African music--in almost continuous binary rhythms--Gardony's ...
Larry Goldings: In My Room
by Dan Bilawsky
Sentimentality gets a raw deal in the eyes of many a jazz fan and journalist. Somewhere along the line, a lot of artists began indulging in overwrought expressions of emotion in an effort to artificially enhance their work with a sense of depth that might not truly exist, but that shouldn't taint the very idea of ...
Peter Brotzmann Chicago Tentet +1: London, UK, April 18-20, 2011
by John Sharpe
Peter Brötzmann Chicago Tentet +1Café OtoLondon, UKApril 18-20, 2011 Since its inception in 1997, Peter Brötzmann's Chicago Tentet has become one of the foremost large groupings in free jazz, not least because of its unrivalled roster of talent and its durability as a unit. When asked how he had kept such ...
New Orleans Jazz & Heritage Festival 2011
by Sandy Ingham
Days 1-3 | Days 4-7 New Orleans Jazz & Heritage Festival New Orleans, LA April 27-May 6, 2011 Day 1: April 29, 2011The New Orleans Jazz & Heritage Festival turned 42 this year. I've been to 25, and the thrill of anticipation entering the fairgrounds and crossing to the ...
Omar Sosa: Bringing The World To The World
by AAJ Staff
Pianist/composer Omar Sosa was born in Cuba in the first decade of Fidel Castro's rule over the island, and grew up listening to forbidden American jazz with his music school friends in secret, the radio discretely turned low, though eventually the rules changed and the music was broadcast in Cuba, too. After Cuba and a short ...
Abdullah Ibrahim & Ekaya: Sotho Blue
by Raul d'Gama Rose
The music of pianist Abdullah Ibrahim has lit up the world, shining brightly in the darkest recesses of the mind for decades. It has sung proud through the apartheid era, helping to clench the fist of protest tighter and the voice of human freedom sing louder. Now that the walls of segregation (at least in South ...


