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56

Article: Interview

Vuma Levin: Musical Painting

Read "Vuma Levin: Musical Painting" reviewed by Seton Hawkins


South African guitarist and composer Vuma Levin has been receiving significant accolades in local and international circles, and it's easy to see why. A thoughtful, intelligent improviser and bandleader, Levin is also a highly thought-provoking composer, one intent on exploring the music's role in commenting on and shaping societal discourse. Indeed, with last year's ...

9

Article: Live Review

Abdullah Ibrahim at the Michigan Theater

Read "Abdullah Ibrahim at the Michigan Theater" reviewed by C. Andrew Hovan


Abdullah Ibrahim & Ekaya Michigan Theater A Tribute to the Jazz Epistles Ann Arbor, Michigan April 13, 2018 Back in the fall of 2015, the University Musical Society had the rare opportunity to present the legendary South African pianist Abdullah Ibrahim in one of his rare U.S. appearances. So when ...

5

Article: Album Review

Linley Hamilton: Making Other Arrangements

Read "Making Other Arrangements" reviewed by Ian Patterson


With albums like Taylor Made (Lyte Records, 2011) and In Transition (Lyte Records, 2014), trumpeter Linley Hamilton established himself as a virtuoso and bandleader of some note, surrounding himself with Ireland's finest established players while nurturing the island's best of the up-and-coming talent. With Making Other Arrangements (Teddy D Records, 2018) Hamilton enlists an eighteen-piece band ...

11

Article: Interview

Linley Hamilton: Strings Attached

Read "Linley Hamilton: Strings Attached" reviewed by Ian Patterson


Nearly all recordings are labours of love. Passion and a huge amount of work are the essential ingredients. Some recordings in particular, however, mark the realization of a life-long dream. For Northern Irish trumpeter, BBC jazz broadcaster and university lecturer Linley Hamilton, Making Other Arrangements (Teddy D Records, 2018) is just such a recording.

2

Article: Album Review

Martin Lutz: In Denmark I Was Born

Read "In Denmark I Was Born" reviewed by Gareth Thompson


Two hands, one black and one white, hold aloft a heart-shaped map of the world. It might not be subtle, but the artwork adorning this album speaks volumes for it. Martin Lutz is an eclectic Danish composer with a global outlook and a compassionate ethic. He believes in love, empathy and the power of collective action. ...

4

Article: Radio & Podcasts

Hugh Masekela Mix

Read "Hugh Masekela Mix" reviewed by Emily Jones


(If this program is unavailable in your country from Mixcloud, please scroll down and listen via Soundcloud.) Hugh Masekela passed away just a few weeks ago at the age of 78, leaving a powerful legacy of music and activism. This month's mix showcases ten key moments in his musical life, handpicked from his 40 ...

68

Article: Interview

Nduduzo Makhathini: Jazz Is a Shared Memory

Read "Nduduzo Makhathini: Jazz Is a Shared Memory" reviewed by Seton Hawkins


It can be overwhelming to keep up with the artistic growth, creative reach, and constant development that marks the career of Nduduzo Makhathini. In the past four years, he has released eight solo albums, all exploring remarkably different territories and demonstrating a ceaselessly probing mind and inventive creative urge. In addition to that, he has emerged ...

1

Article: Album Review

Gianni Lenoci, Francesco Cusa: Wet Cats

Read "Wet Cats" reviewed by Neri Pollastri


La buona riuscita delle performance d'improvvisazione radicale è soggetta ad almeno tre condizioni: la prima, ovviamente, concerne le personalità artistiche che vi si cimentano, la seconda l'intesa tra di loro, la terza una certa dose di alea, che faccia sì che proprio in quell'occasione tutto giri al meglio e le idee scorrano fuori, una dietro l'altra, ...

1,521

Article: Interview

Hugh Masekela: Strength in Music and Character

Read "Hugh Masekela: Strength in Music and Character" reviewed by R.J. DeLuke


This article was first published at All About Jazz in May 2009. “I think it is incumbent, not just on every artist, but every person who has as their source communities that are disadvantaged, to give back," says Hugh Masekela, antiapartheid champion, friend of the downtrodden and musician extraordinaire who is still going strong ...

51

Article: Under the Radar

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond" reviewed by Karl Ackermann


Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...


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