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Joel Miller: Unstoppable
by Dan McClenaghan
Joel Miller makes an excellent case for continuing education. Twenty years after winning the career-boosting Gran Prix of the Montreal Jazz Festival in 1997, and releasing his debut album, Find A Way (Isthmus/Page Music) in the same year, the Montreal-based saxophonist returned to his alma mater, McGill University, to complete his studies for a Master's in ...
Ojai Music Festival 2019
by Josef Woodard
Ojai Music FestivalLibbey Bowl, and other venues Ojai, California June 6-9, 2019 In the storied and still-evolving story of the Ojai Music Festival, one of America's most important contemporary music-minded festivals, the roots system run deep into mid-century Modernism and late 20th century post-Modernist impulses and up to the current, ...
Greg Reitan: West 60th
by Dan McClenaghan
Pianist Greg Reitan is based in Los Angeles, a good place to take advantage of the work he has found in film and television. He has also served up four previous top-shelf jazz trio recordings, beginning with his terrific debut, Some Other Time (2009), followed up by Antibes (2010), Daybreak (2011) and Post No Bills, all ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 3-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 Concert 8: The Herdsmen -Bobby Shew meets Larry McKenna Trumpeter Bobby Shew is a well- known ...
Bruce Hornsby & The Noisemakers with Los Lobos At The Flynn Center for the Performing arts
by Doug Collette
Bruce Hornsby & The Noisemakers w/ Los Lobos Flynn Center for the Performing Arts Burlington, Vermont July 20, 2018 Given the musicianly approach Bruce Hornsby has applied to his career, it makes perfect sense for him to tour with Los Lobos. With his bands (originally the Range and now the Noisemakers) ...
The Toronto Jazz Orchestra: 20
by Dan McClenaghan
The Toronto Jazz Orchestra, aka TJO, was created to perform music by the major jazz composers, like Miles Davis and his Miles Ahead (Columbia Records, 1958), the trumpeter's collaboration with Gil Evans, for one. With 20, the group celebrates the composition and arranging skills of its artistic director, Josh Grossman. With a twenty year ...
Vadim Neselovskyi: Get Up And Go
by Jerome Wilson
Ukrainian pianist Vadim Neselovskyi has an affecting, organic sound that draws more from classical and folk idioms than the usual jazz materials. It can range from fragile to overpowering and on this CD, it allows him to establish a strong, individual presence in the crowded piano trio field.On fast pieces like “On A Bicycle" ...
Holiday 2014: Nearly Christmas
by C. Michael Bailey
Where is your sense of humor? No, not one of these discs could practically be called “Holiday" or “Christmas" music. Para-Christmas music, maybe, but not the bona fide real deal. I just exercise my critical prerogative to call these closely related releases okay for review as holiday releases, mostly because of their Christian emphases and sacred ...
Using The Jazz Trope For Assimilation
by Scott Krane
I read an interesting thing in the Harvard Gazette today. Hansung Ryu a cellist from Seoul who played a summer concert at Harvard said “If Harvard were an Aaron Copland song, it would be 'Hoe-Down'— difficult to play but very colorful and exciting." Ryu played selections from “Rodeo" at Harvard's Sanders Theater on August, 3. The ...
Guelph Jazz Festival & Colloquium 2009
by Kurt Gottschalk
Guelph Jazz Festival & ColloquiumGuelph, OntarioSeptember 9-13, 2009The Guelph Jazz Festival and Colloquium devoted itself this year to trying to unpack an idea so common that it is at once crucial and cliché: whether the practice of music-making might have world-changing implications. Through presentations on (for example) gang intervention in South Africa through ...
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