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Article: Take Five With...

Take Five with pianist, composer Itamar Dahan

Read "Take Five with pianist, composer Itamar Dahan" reviewed by AAJ Staff


Meet Itamar Dahan Itamar Dahan is a Brooklyn-based jazz pianist, composer, and producer originally from Israel. Known for his deeply lyrical style and bold harmonic language, he has performed with legendary artists including NEA Jazz Master Reggie Workman, Billy Hart, Omer Avital, and David Broza. A graduate of The New School's Jazz program on a full ...

News: Video / DVD

Backgrounder: Joe Puma - East Coast Jazz/3

Backgrounder: Joe Puma - East Coast Jazz/3

I love precious jazz guitarists who place a premium on harmony, swing and compelling chords. One of the best in this category was Joe Puma. In the 1950s, Puma was a session sideman on many recordings and led his own groups. He recorded into the 1990s and died in 2000 at age 72. One of his ...

News: Obituary

Roger Nichols (1940-2025)

Roger Nichols (1940-2025)

Roger Nichols, a sunshine-pop songwriter whose late 1960s and 1970s melodies were among the richest and catchiest of the genre, particularly when teamed with lyricist Paul Williams and groups such as the Carpenters and Three Dog Night, died May 17. He was 84. Nichols also wrote with lyricists Tony Asher and Bill Lane, and was noted ...

News: Video / DVD

Sly Stone (1943-2025)

Sly Stone (1943-2025)

Sly Stone, whose late-1960s eclectic brand of polished Bay Area funk-pop launched a music revolution that influenced artists ranging from Miles Davis to Stevie Wonder, Prince and all the major funk bands that followed in the 1970s and beyond, died yesterday. He was 82. The singer-songwriter, arranger and multi-instrumentalist was a fashion trend-setter and tireless composer ...

News: Video / DVD

Denny Zeitlin: With a Song in My Heart

Denny Zeitlin: With a Song in My Heart

Pianist Denny Zeitlin's very first recording was for Columbia in 1963, as a sideman on Jeremy Steig's Flute Fever. His first trio leadership album, Cathexis, came next for Columbia in February 1964, with Cecil McBee on bass and Freddie Waits on drums. Carnival followed in October, with Charlie Haden on bass and Jerry Granelli on drums. ...

News: Video / DVD

Backgrounder: Sam Lazar - 'Playback' (1962)

Backgrounder: Sam Lazar - 'Playback' (1962)

Odds are you have no idea who Sam Lazar is and that you're hearing about him now for the first time. Don't feel bad. The organist is one of jazz's most puzzling figures.  Born in St. Louis, Mo., in 1933, he played piano and was in a St. Louis group led by Ernie Wilkins. When Wilkins ...

News: Video / DVD

Perfection: Hal McKusick: You're Everywhere (1958)

Perfection: Hal McKusick: You're Everywhere (1958)

By now, vocalists and musicians are surely tired of hearing me urge them to find great little-known songs to record and perform instead of tired old songbook standards. You don't stand out by following the crowd. A perfect example of a great little-known song is You're Everywhere, by Robert Nemiroff and Burt D'Lugoff, who were often ...

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News: Recording

Ryan Truesdell: Gil Evans and Shades of Sound

Ryan Truesdell: Gil Evans and Shades of Sound

I love producers and performers who fall madly in love with legacy jazz artists and go the distance to pay tribute to them. I'm thinking of what producer-director Kristian St. Clair did with his 2006 documentary and album This Is Gary McFarland and what jazz historian and album producer Gary Carner did in 2012 with baritone ...

News: Video / DVD

Bill Evans: 'Moon Beams' and 'Interplay' (1962)

Bill Evans: 'Moon Beams' and 'Interplay' (1962)

In April, May, June and July of 1962, pianist Bill Evans was ferociously busy in recording studios. Ten months earlier, his first working trio was at its peak, recording in exquisite form at New York's Village Vanguard. The three musicians had realized Evans's dream of playing conversationally—each member playing off the other two as equals rather ...

News: Video / DVD

Backgrounder: Sal Salvador - Colors in Sound ('58)

Backgrounder: Sal Salvador - Colors in Sound ('58)

The stereo revolution began in late 1957, when Sidney Frey of Audio Fidelity Records cut the first LP with the new sonic format and played it on December 13 for an audience in the auditorium at The New York Times on West 43d St. Within months, every major label was recording orchestral jazz to show off ...


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