311

Eberhard Weber: Stages of a Long Journey

John Kelman By

Sign in to view read count
Eberhard Weber: Stages of a Long Journey If there's any lesson to be learned from Eberhard Weber's Stages of a Long Journey, it's this: just because you don't doesn't mean you can't. A career-spanning retrospective of his own most enduring compositions expanded, in some cases, to include a symphony orchestra, the bassist delivers more than a few surprises. Naysayers only cursorily familiar with Weber's ECM discography—largely defined by improvisation based firmly on defined structure living somewhere between the jazz vernacular and European classicism—often operate under the misconception that he lacks the ability to play "real" jazz.

He can. Here, Weber tackles Carla Bley's classic "Syndrome" with his core quintet- -vibraphonist Gary Burton, saxophonist Jan Garbarek, pianist Rainer Bruninghaus and percussionist Marilyn Mazur—and its fiery swing is a persuasive acquittal for everyone (with the exception of Burton, who's allegiance to mainstream jazz has never been questioned). Garbarek navigates the changes with ease while retaining the personal attention to tone that's been a defining point of his career. Weber, using his distinctive five-string upright electrobass, swings energetically alongside Mazur, another artist rarely considered a centrist-capable drummer.

Weber also reunites with pianist Wolfgang Dauner for a soft reading of Jerome Kern's "Yesterdays." Briefly abandoning his hybrid instrument for the acoustic variety, Weber again makes it clear that his choice to evolve a career largely distanced from the mainstream is just that: a choice.

Endless Days (ECM, 2001), was an emphatically small-group, through- composed recording. Here, the bassist reworks some of his best material to explore the nexus where a longstanding interest in structure meets small ensemble democracy. Three of Weber's most lyrical compositions—the title tracks to The Colours of Chloë (ECM, 1974) and Yellow Fields (ECM, 1976), alongside the darkly romantic "Maurizius," from Later That Evening (ECM, 1982)—are joined together as the thirty-minute "Birthday Suite," this 2005 Stuttgart Germany live recording being a celebration of his 65th birthday. Weber's orchestration provides a requisite shape to the suite; still, Garbarek and Burton get plenty of solo space on the individual tunes, while Bruninghaus and Mazur are given brief solo spots that transition between them.

Weber takes the opportunity to reinvent his material in more ways than simply expanding the sonic palette and providing greater contrapuntal opportunities. The pulse of "Silent Feet" is more buoyant than the original, while Mazur lends an insistent pulse to the impressionistic introduction of "The Colours of Chloë."

Weber also proves his ears have remained open on "Hang Around," a brief piece of trippy hip hop that combines Weber's electrobass with Reto Weber's steel pan-sounding hang and Nino G.'s impressive vocal beatbox.

A compelling retrospective that demonstrates the malleability, melodism and beauty of Weber's oeuvre, Stages of a Long Journey's omission of two words from its source—the bassist's "The Last Stage of a Long Journey," which receives an expansive and expanded orchestral treatment—makes it thankfully clear that this recording is simply a milestone, not an ending.

Track Listing: Silent Feet: Syndrome; Yesterdays; Seven Movements; Birthday Suite: The Colours of Chloë; Piano Transition; Maurizius; Percussion Transition; Yellow Fields; Hang Around; The Last Stage of a Long Journey; Air.

Personnel: Eberhard Weber: bass (1, 2, 4-12); double bass (3); Gary Burton: vibraphone (1, 2, 5-9, 11); Jan Garbarek: soprano saxophone (1, 4-9, 11); tenor saxophone (2, 5-9); Rainer Bruninghaus: piano (1, 2, 5-9, 11); Marilyn Mazur: percussion (1, 2, 5-9, 11); SWR Radio Symphony Orchestra Stuttgart, Roland Kluttig conductor: (1, 5-9, 11); Wolfgang Dauner: piano (3); Nino G.: beatbox (10); Reto Weber: hang (10).

Title: Stages Of A Long Journey | Year Released: 2007 | Record Label: ECM Records


Tags

comments powered by Disqus

More Articles

Read 90 Going On Amazing CD/LP/Track Review 90 Going On Amazing
by Dan Bilawsky
Published: August 21, 2017
Read Let There Be Life, Love and Laughter CD/LP/Track Review Let There Be Life, Love and Laughter
by Victor L. Schermer
Published: August 21, 2017
Read L.O.T.U.S. CD/LP/Track Review L.O.T.U.S.
by Mark Corroto
Published: August 21, 2017
Read Art in the Age of Automation CD/LP/Track Review Art in the Age of Automation
by Geno Thackara
Published: August 21, 2017
Read Screen Sounds CD/LP/Track Review Screen Sounds
by Dan Bilawsky
Published: August 20, 2017
Read Rediscovered Ellington CD/LP/Track Review Rediscovered Ellington
by Troy Dostert
Published: August 20, 2017
Read "Juxtaposition" CD/LP/Track Review Juxtaposition
by David A. Orthmann
Published: March 9, 2017
Read "Hoping Against Hope" CD/LP/Track Review Hoping Against Hope
by Glenn Astarita
Published: May 19, 2017
Read "Hark The Herald" CD/LP/Track Review Hark The Herald
by Dan Bilawsky
Published: December 6, 2016
Read "The Willisau Concert" CD/LP/Track Review The Willisau Concert
by Glenn Astarita
Published: July 9, 2017
Read "Double Strike" CD/LP/Track Review Double Strike
by James Nadal
Published: May 31, 2017
Read "Getting All The Evil Of The Piston Collar!" CD/LP/Track Review Getting All The Evil Of The Piston Collar!
by Budd Kopman
Published: October 3, 2016

Sponsor: JANA PROJECT | LEARN MORE  

Support our sponsor

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.