Home » Jazz Articles » Album Review » Ian Shaw: Soho Stories

Ian Shaw: Soho Stories

By Craig Jolley
October 1, 2001
View read count

Ian Shaw swings. It's a dynamic swing—not the usual I'll get comfortable and let the rhythm section carry me. He'll speed through a phrase, pause (leaving out words), take off again, and sing through the end of the phrase into the beginning of the next idea. He likes to punctuate by dropping or jumping an octave. He is equally convincing on ballads where his time scintillates as much as on swing tunes. He'll go for a different emotional feel by singing an entire chorus in falsetto (He may have picked this up from Ray Charles.), usually on a ballad. He communicates his meaning of the lyric but doesn't always stay with the original words. More than most other great singers he prefers to stay in the key he starts in.

Soho Stories is Shaw's seventh CD in ten years of recording, and it's his best. Besides just singing better he is more in touch with the back-up musicians—he's part of the band. His frequent collaborator James Pearson accompanies him on most tunes, giving him a comfortable setting to create in—not that confidence was ever a problem. The arrangements, mostly by Shaw and Pearson for a horn or two and rhythm, are tailored to his musical personality.

Notes on my favorite cuts:

"Dearly Beloved" Takes the first chorus almost nude (only a bass behind him). After that he sinks his teeth into some swinging little big band riffs.

"How Little We Know" (the Hoagy Carmichael ballad, not the Sinatra swinger) Conversational and natural. With a less committed singer the lyrics could sound falsely naive, but Shaw's optimism precludes any doubt.

"If You Could See Me Now" Up-tempo Latin arrangement with maybe a nod toward Mark Murphy. Recomposes the tune rhythmically and melodically. Throws away the lyrics (actually drop-kicks them out of the end zone).

"I Keep Going Back to Joe's" Inspired, funky rhythmic background breaks it up and avoids sogginess. Knowing irony comes through just right without dramatics.

Track Listing

Comes Love; I Never Went Away; Ruby; Dearly Beloved; How Little We Know; A Little Piece of Heaven; I Wished on the Moon; Be Sure I'll Let You Know; If You Could See Me Now; Tomorrow Never Came; I Keep Going Back to Joe's; Happy with the Blues; Rainbow Sleeves.

Personnel

Ian Shaw

vocals

Ian Shaw: vocals, piano; James Pearson: piano; Cedar Walton: piano; Eric Alexander: tenor; Steve Rubie: flute; Bob Kindred: tenor; Lew Soloff: trumpet; Papo Vazquez: trombone; Joe Beck: guitar; Chip Jackson: bass; Mark Fletcher: drums.

Album information

Title: Soho Stories | Year Released: 2001 | Record Label: Milestone

About Ian Shaw

PREVIOUS / NEXT

A Fireside Chat With Jason Moran
< Previous

Expositions of Freedom...Now!
Next >

Ian Shaw Concerts

Oct 29 Thu

Ian Shaw ‘Elton, Bowie, Randy, Ray & Me'

Bechstein Hall
London, UK

Become a Sustaining Member

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.