Home » Jazz Articles » Album Review » Jack Mouse & Scott Robinson: Snakeheads & Ladybugs
Jack Mouse & Scott Robinson: Snakeheads & Ladybugs
Even so, these off-the-cuff stratagems won't suit everyone's taste. And that may be an understatement, as it doesn't necessarily follow that appreciation for what Mouse and Robinson are doing will translate into fondness. What they are doing is feeding, in some way, off each other's moves, like dance partners swapping the lead or marathon runners maneuvering for position. Each number opens with either Mouse or Robinson setting the mood and tempo, after which the motif unfolds freely as they listen closely and respond to every nuance, no matter how singular or subtle it may be. The upshot could be as sinuous and enigmatic as "Orcan," strident as "Funk Infestation," "Scorch" (or almost any other item on the menu) or as relatively explicit as the foursquare "Two Minute March," a brief vignette whose name is aptly descriptive, or the canonical finale, "FreeBop."
Robinson, an acknowledged master of many instruments, limits himself to fourtenor and C-melody saxophone, cornet and e-flat clarinet. Mouse, meanwhile, makes good use of every component in his drum kit to shadow each of them. As noted, their intuitive interplay, resourceful as it may be, is by no means aimed toward an inclusive audience but is designed instead to please those to whom the term "free jazz" is admirable and substantive. If you count yourself among them, Snakeheads & Ladybugs should prove altogether agreeable.
Track Listing
Flutter; Bolero Incognito; Backward Glance; Two Minute March; Orcan; Dual Duel; Funk Infestation; Snakeheads & Ladybugs; Shapeshifter; Scorch; Fandango; FreeBop.
Personnel
Scott Robinson: tenor, C-melody sax, cornet, e-flat clarinet; Jack Mouse: drums.
Album information
Title: Snakeheads & Ladybugs | Year Released: 2014 | Record Label: Tall Grass Records
About Jack Mouse
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.





