479

Edward Simon: Simplicitas

John Kelman By

Sign in to view read count
Edward Simon: Simplicitas Some artists seem to burst onto the scene, even though the reality may be something else entirely. Ethan Iverson of the Bad Plus and Esbjorn Svensson of E.S.T. both worked below the radar for periods of time before they were, seemingly suddenly, "discovered." Such instant fame comes with a disadvantage, however. Being the flavour of the month also implies that, at some point, the public's tastes will move on.

Others gradually insinuate themselves into the public's consciousness, often through years of apprenticeship with others and a steady move towards a solo career. Case in point is pianist Edward Simon, who spent the early '90s working with artists including Greg Osby and, perhaps most notably, Bobby Watson's Horizons. Simon has also developed some long-standing musical partnerships that continue to this day, including those with alto saxophonist David Binney, with whom he recently released a duet recording, Fiestas de Agosto, and guitarist Adam Rogers, on whose three Criss Cross albums he's appeared, including the new Apparitions. The wealth of experience that Simon has gained has given him a broader scope that never forgets the folkloric roots of his Venezuelan upbringing, and it has kept him from being branded as just another Latin player.

On Simplicitas Simon continues to expand the piano trio tradition that he so vividly explored on '03's The Process. Mixing original material with compositions by Brazilian singer Luciana Souza—who also adds wordless vocals to the impressionistic, ECM-informed Simon piece, "Unknown Path"—and Irish saxophonist Michael Buckley—whose melancholic hymnal, "South Facing," is a highlight of the album, demonstrating Simon's undivided attention to the nuances of and between every note—Simon has created a set where the songs flow forward with a distinct sense of purpose.

While Simon reveals clear roots in all the usual suspects—Evans, Hancock, Jarrett—he has long since subsumed them within his own brand of lyricism. He has the kind of technical facility, the kind of left hand/right hand independence that can only come from years of woodshedding and on-the-bandstand experience. It's Simon's ability to make every note count and every phrase feel special—whether on the more overtly Latin-informed 6/8 vamp of "Fiestas" or the equally bright "Infinite One," which alternates between a bass-held pedal point and an invigorating swing supported by bassist Avishai Cohen and drummer Adam Cruz—that makes his work truly sing.

Two versions of the Harry Warren standard "You're My Everything," based on Herbie Hancock's reharmonized changes for the '62 Freddie Hubbard classic Hub-Tones, vividly demonstrate how imaginative improvisers can approach the same piece night after night, still making every performance feel familiar, yet fresh and new.

Simon may not have the name recognition or popularity of the Bad Plus or E.S.T., but he's every bit their contemporary equal. With a steadily-growing body of work that reaches further stylistically than either of these groups, Simon will undoubtedly prove to have greater longevity.

Visit Edward Simon on the web.


Track Listing: Opening; Infinite One; Not So Unique; You're My Everything I; Simplicity; Fiestas; Unknown Path; Fiestas (reprise); You're My Everything II; South Facing; Exit

Personnel: Edward Simon: piano; Avishai Cohen: bass; Adam Cruz; drums, steel drums; Lucian a Souza: vocals (7); Adam Rogers: guitars (7, 11); Pernell Saturnino: percussion (1, 6, 8).

Year Released: 2005 | Record Label: Criss Cross | Style: Straight-ahead/Mainstream


Shop

More Articles

Read Akua's Dance CD/LP/Track Review Akua's Dance
by Dan Bilawsky
Published: February 21, 2017
Read Daylight Ghosts CD/LP/Track Review Daylight Ghosts
by Mark Sullivan
Published: February 21, 2017
Read Live at PafA CD/LP/Track Review Live at PafA
by Matthew Aquiline
Published: February 21, 2017
Read Ocean of Storms CD/LP/Track Review Ocean of Storms
by Troy Dostert
Published: February 21, 2017
Read Transparent Water CD/LP/Track Review Transparent Water
by Dan Bilawsky
Published: February 20, 2017
Read Billows Of Blue CD/LP/Track Review Billows Of Blue
by Dan McClenaghan
Published: February 20, 2017
Read "Negative Spaces" CD/LP/Track Review Negative Spaces
by Dave Wayne
Published: November 20, 2016
Read "Utazata" CD/LP/Track Review Utazata
by Jakob Baekgaard
Published: March 22, 2016
Read "Forage" CD/LP/Track Review Forage
by Dan McClenaghan
Published: February 16, 2017
Read "Metasediment Rock" CD/LP/Track Review Metasediment Rock
by Glenn Astarita
Published: April 12, 2016
Read "Mass" CD/LP/Track Review Mass
by C. Michael Bailey
Published: November 2, 2016
Read "Under the Influence" CD/LP/Track Review Under the Influence
by Doug Collette
Published: July 2, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!