All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

397

Mederic Collignon: Shangri-Tunkashi-La

John Kelman By

Sign in to view read count
Less known than he should be outside his native France, Médéric Collignon is something of a jazz celebrity at home. A winner of multiple awards, the trumpeter/keyboardist/vocalist has participated and collaborated with the esteemed Orchestre National de Jazz, and can be heard on clarinetist Louis Sclavis' idiosyncratic Napoli's Walls (ECM, 2003). With Shangri-Tunkashi-La, Collignon brings a fresh perspective to the electric music of trumpet icon Miles Davis.



Material culled exclusively from Davis's late-1960s/early-1970s electric period is distanced from the plethora of electric tributes cropping up over the past several years by a number of key factors. Despite being a fine trumpeter, Collignon—whose reputation for being something of a absurdist madman—often uses his voice as the primary instrument, replacing Davis' signature horn on "Shhh Peaceful / It's About That Time" with wordless vocals ranging from melodically reverent to piercing screams so high in the stratosphere that it's hard to believe they're from a human voice. Some of what he does could be called scatting, but Collignon is more unfettered, as he occasionally digresses into tangential utterances, and garbled and guttural strange-speak.



Collignon's expansion of his core quartet with a four-piece horn section also gives Shangri its fresh outlook. Few jazz arrangers, outside of Vince Mendoza, use horns more typically associated with classical music this successfully. Combined with Collignon's sometimes warm, sometimes piercing and always inventive pocket trumpet, the horn ensemble turns the balladic "Early Minor"—a lost 1969 treasure first heard on Legacy's The Complete In A Silent Way Sessions box in 2001—into a sublime tone poem that's closer in aesthetic to the way its composer, the late Joe Zawinul, might have envisioned it, based on the late keyboardist's own "In a Silent Way" on Zawinul (Atlantic, 1970).



The high octane "Ife," and equally fiery "Interlude" (first heard on Agharta (Columbia, 1975), but sporting a riff that Miles would revisit in the decades that followed) give his group plenty of opportunity to ratchet up the intensity...and the volume, with the quartet as comfortable pushing a visceral groove as it is diving into freer territory. Equally, Collignon knows how to pace himself, and his program. "Mademoiselle Mabry," from Filles de Kilimanjaro (Columbia, 1968), is a rarely chosen cover; a lyrical tone poem that sets up the album's most oblique choice—Led Zeppelin's "Kashmir," which closes the 66-minute set. That this thunderous, eastern-tinged rocker fits so seamlessly into the rest of the program only serves to demonstrate a cross-over potential Miles always had, regularly aspired to, but never quite achieved in his lifetime.



Gritty, virtuosic playing from a hard-edged group that knows how to kick it hard yet play it soft and subtle when required make Shangri-Tunkashi-La a fusion fest that's impossible to ignore. Add to that Collignon's forward-thinking yet sonically retro arrangements and liberal doses of impish sardonicism, and the result is a homage to electric-era Miles Davis that easily stands amongst the best of them.


Track Listing: Billy Preston; Bitches Brew; Early Minor; Shhh Peaceful / It's About That Time; Ife; Interlude; Nem Um Talvez; Mademoiselle Mabry; Kasmir.

Personnel: Médéric Collignon: pocket trumpet, Fender Rhodes 88, percussion, voice, arrangements; Frank Woeste: Fender Rhodes 73, effects, voice; Frédéric Chiffoleau: double-bass, electric bass, voice; Philippe Gleizes: drums, voice; François Bonhomme: horn; Nicolas Chedmail: horn; Philippe Bord: horn; Victor Michaud: horn; The White Spirit Sisters: vocals (4).

Title: Shangri-Tunkashi-La | Year Released: 2010 | Record Label: Plus Loin Music

Tags

Related Video

comments powered by Disqus

Related Articles

Read Oscar Peterson Plays CD/LP/Track Review
Oscar Peterson Plays
by Dan McClenaghan
Published: April 23, 2018
Read State Of The Baritone Volume 2 CD/LP/Track Review
State Of The Baritone Volume 2
by Mark Corroto
Published: April 23, 2018
Read Listening To Pictures (Pentimento Volume one) CD/LP/Track Review
Listening To Pictures (Pentimento Volume one)
by Chris May
Published: April 23, 2018
Read Friends & Family CD/LP/Track Review
Friends & Family
by C. Michael Bailey
Published: April 23, 2018
Read Northern Migrations CD/LP/Track Review
Northern Migrations
by Ian Patterson
Published: April 22, 2018
Read Egregore CD/LP/Track Review
Egregore
by John Eyles
Published: April 22, 2018
Read "La Saboteuse" CD/LP/Track Review La Saboteuse
by Chris May
Published: February 20, 2018
Read "History Of The Lisbon Chaplaincy" CD/LP/Track Review History Of The Lisbon Chaplaincy
by Mark Corroto
Published: July 13, 2017
Read "Triple Double" CD/LP/Track Review Triple Double
by Dan Bilawsky
Published: September 14, 2017
Read "Onward" CD/LP/Track Review Onward
by Mark Sullivan
Published: May 5, 2017
Read "Eternal Life" CD/LP/Track Review Eternal Life
by Jerome Wilson
Published: December 14, 2017
Read "Proverbe" CD/LP/Track Review Proverbe
by Karl Ackermann
Published: June 15, 2017