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On his sophomore release, Israeli pianist Ofir Shwartz leads a new trio comprised with Israeli double bassist Gal Shaya and Slovenian drummer Gasper Bertoncelj. This release features Shwartz's progression as a composer and bandleader since his debut release, Earlier in time (sHmoo Records, 2010). < Shwartz's vocabulary draws inspiration from modern jazz mainly in its myriad lyrical incarnations, pop songs, and progressive and heavy rock. His gift to sketch highly melodic themes is apparent throughout this recording. His trio is playing in a highly disciplined, tight and supportive form, with passion and energetic flow.
The trio shines when articulating the infectious themes of "When It Ends" and even more on "Industrial City" (including its reprise), unfolding the strong themes with playful command, turning these melodic and energetic compositions to catchy pop songs. But this trio also sounds addicted to these dramatic formats, attempting to find glorious, power chords and tempting grooves on account of deeper abstraction of the theme and risk taking form of interplay.
The only composition that escapes this structure is the moving ballad "Folk Song," the most impressive composition on this album, and to a lesser degree "It's Wet Outside." The meditative theme of "Folk Song" is implied, alternately by Shaya and Shwartz while Bertoncelj adds colors and spare dramatic dimension, never delivered with full force. This composition demonstrates the formative influence of the aesthetics of ECM school of lyrical jazzKeith Jarrett obviously, but also the influence Bobo Stensonhad on Shwartz.
Shwartz only begins to feature his compositional skills. Shades of Fish is another sign that he is on the right way.
Track Listing: Caelum; Chicko; When it Ends; Germany; Folk song; Industrial city;
Shades of Fish; It's Wet Outside; Last Journey; Industrial City, Vol. 2.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.