Home » Jazz Articles » Jazz Poetry » Sattamassagana For Rosie

227

Sattamassagana For Rosie

By

View read count
Grief, desire, memory. When utilized properly, they can serve to provide a sort of forward motion. Even if only down the street for that last drink of the evening. From somewhere nearby can be heard the faint tinkling of a piano as it has a conversation with itself.

What do I have, what do I want? I close my eyes to make the here and now waiver. Her kiss, no, it is just the coolness of an ice cube now left alone in an empty glass.

I am not avoiding going home, but there is an album which goes perfectly with a certain hour that has yet to come.

I must wait a while longer before I can let the needle sink down into the record, following it into sleep.

I look around, a few sleepy eyed refugees from what it fast becoming yesterday. I pull my notepad pout of my pocket. It holds a white envelope which I had forgotten about in its mouth.

I am superstitious, king of the land under the ladder, it's a sign. I will write her, then I can go. I am already humming that first song. I just want to tell her that I am here, that I know. It is a lie only in that it is all more for my sake than hers.

I put it in the envelope, my missive, the doodle of a pinecone, before I can change my mind.

Although I normally don't, I write my name on the envelope's upper left hand corner. There it was, an alien thing, perching on the three lines of my address. I felt like having eggs, with a beauty mark of Tabasco on each yoke. And for a moment I am grateful to have a desire which I knew would be satisfied. The bartender was whipping the zinc with a rag, a jockey in the final stretch. I nod to the waitress now holding up the far wall.

Outside a taxi pulls up, a woman gets out. She is in a black cocktail dress, shoes in one hand, she stretches, raising both arms over her head making the late night air receipt a poem upon her flesh.

The driver leans across the front seat asking me if I needed a ride home. I nod my head no. I have a short enough walk to tomorrow.

Tags

Comments


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Jazz article: Left Wall Balcony
Jazz Poetry
Left Wall Balcony
Jazz article: Learning to Listen (for Faruq)
Jazz article: Subway Music
Jazz Poetry
Subway Music
Jazz article: New Jazz Haiku
Jazz Poetry
New Jazz Haiku

Popular

HIDDEN GEMS

Jazz article: A Tale of Two Jazz Humbugs
Highly Opinionated
A Tale of Two Jazz Humbugs
Jazz article: Noah Garabedian: The Power of Patience
Jazz article: Lee Morgan: The Sidewinder – 1964
My Blue Note Obsession
Lee Morgan: The Sidewinder – 1964

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.