Home » Jazz Articles » Album Review » Dizzy Gillespie: Salt Peanuts
Dizzy Gillespie: Salt Peanuts
Most of the selections captured here reflect Gillespie's desire to share the wealth of his veteran knowledge. He's always been exciting when he interprets "Salt Peanuts" and "Swing Low Sweet Cadillac," because of the vocal asides that blossom and grow. Guitarist Ed Cherry, wearing two hats because the band has no pianist, makes an equitable partner for the veteran trumpeter. He solos with crisp clarity and harmonizes with depth. This live date provided the time and opportunity for Cherry to stretch out considerably. His searing lines steal the show.
Sayyd Abdul Al-Khabyyr, already a veteran of swing and bebop at the time of these sessions, complements Gillespie's powerful musical persona with fluid flute melodies and swinging tenor saxophone outtakes. While an unidentified alto saxophonist with a biting bebop stance remains too far away from the microphone through several tracks, it's Abdul Al-Khabyyr who provides the band with spontaneous solos that add immeasurable strength to the session. His flute thrills on "Land of Milk and Honey" and his saxophone wails on "Swing Low Sweet Cadillac." Not surprisingly, he gracefully interprets "The Girl from Ipanema" with a special tenderness.
Always a personable crowd-pleaser, Gillespie connects with his audience. As he explains his "Land of Milk and Honey" and as he interprets it vocally and with open trumpet, the veteran entertainer makes you feel right at home.
Track Listing
On Green Dolphin Street; Blues Theme; Salt Peanuts; Swing Low Sweet Cadillac; Night in Tunisia; Land of Milk and Honey; The Girl from Ipanema; Tin Tin Deo.
Personnel
Dizzy Gillespie
trumpetDizzy Gillespie- trumpet; Sayyd Abdul Al-Khabyyr- flute, tenor saxophone; Ed Cherry- guitar; Michael Howell- bass; Tommy Campbell- drums.
Album information
Title: Salt Peanuts | Year Released: 2004 | Record Label: Just A Memory
About Dizzy Gillespie
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







