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Mátyás Szandai Quartet: Sadhana
ByThe initial sense of harmoniousness introduced on the opening string section excerpt is merely a tease. Only the little moments of dissonance and syncopation hint at what the remainder of the album is all about. The follow-up, "Nine Pines," gets straight to the point and demonstrates the dense interplay between all melodic voices involvedthe bass being among them. Rhythm and meter feels suggested but vague throughout a tense display of the exchanging of ideas and glances. Many of the songs on the record follow this deconstructed notion of different voices searching for one and other, finding each other and then growing apart again. "Azur" features a very clear melodic theme with a more or less straightforward quality, contrasted by the accompanying elements that appear to be pulling and tugging at it. Each step an instrument takes seems deliberate yet decided upon in the moment, giving the set a spontaneous and lively air. But the complex nature of the compositions argues that there's very little spontaneity about it.
Folkloric elements ("Dig the Mood") or shifts towards more minimal instrumentation ("Music from Gyimes") as well as freer exhibitions ("Fearlessness") enhance the already remarkable sense of variety at hand and give the record its approachable allure. Dry production values and the intriguing tone of Veras' amplified acoustic guitar complete this colorful picture. On "Degrees of Freedom" guitar and saxophone prominently present the interwoven nature of their lines, trading unison passages with short solos that seem to undermine the harmonic frame through chromaticism and sidesteps, as if it were but an afterthought. "Down to the Water," on the other hand, sees Veras taking a rare break, leaving the floor for Izquierdo's fluent sax solo to find its way around the changes all on its own. With a mischievous undertone, traditional bop language in the form of a Warne Marsh composition graces the ending of the album like a kind reminder. But that's just "background music" ... Or is it?
Sadhana is an exceptional work of art and presents an engaging set of unique writing and playing. Beyond providing the strong compositional foundations, Szandai has also gathered a group of musicians around him who complement his ideas with aplomb. Here's hoping this won't be the last strike from this group.
Track Listing
Le Frontalier; Nine Pines; Azur; Dig the mud; 5 for Paul; Go; Cassiopeia; Fearlessness; Degrees of Freedom; Music from Gyimes; Down to the Water; Background Music.
Personnel
Mátyás Szandai
bass, acousticFabrice Moreau
drumsNelson Veras
guitarRicardo Izquierdo
saxophone, tenorAlbum information
Title: Sadhana | Year Released: 2020 | Record Label: BMC Records
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About Mátyás Szandai
Instrument: Bass, acoustic
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Sadhana
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