Home » Jazz Articles » Multiple Reviews » Roger Davidson: Amor por el Tango & Rodgers in Rio

375

Roger Davidson: Amor por el Tango & Rodgers in Rio

By

Sign in to view read count
The Tango Group
Amor por el Tango
Soundbrush
2004

Roger Davidson is a classically trained pianist and composer with a sizable list of orchestral and choral works under his belt. He seems to have an endearing love for an underappreciated workhorse like the oebo, which betrays a real orchestrator's mind.

His playing on these discs shows a solid, if not remarkable classical technique. Looking at it from a light-classical, "salon" point of view if you will, his renditions succeed very well. His phrasing does lack the required rhythmic finesse, though, to convincingly perform from within either the tango or jazz tradition.

So, when the liner notes of Amor por el Tango suggest that Davidson "absorbed the spirit of the tango", then his playing hides it pretty well. It lacks the sharpness and control over elastic tempo's typical of high-level tango-playing.

It is not enough to add a bandoneon. You collectively have to hit those notes and chords with the feather-light forceful focus of a knife-thrower, and effortlessly stretch those tempo's back and forth like an accelerating divebomber that drops its load, and then pulls up again, in one swift and elegant move.

Having said so, the arrangements are well crafted (see the successful tango-fication of Cole Porter's "Night and Day"), and it is a nice touch to turn "La Cumparsita", Tango's "When-The-Saints-Go-Marching-In", into a waltz.

Roger Davidson
Rodgers in Rio
Soundbrush
2004

While Rodgers in Rio , through its leader's rather heavy-handed playing, displays a similar approach, it works somewhat better in the context of performing the songs of Richard Rodgers as bossa-nova's, and the rhythmic support from his sidemen is considerably stronger. The liner notes make no bones about the fact that this was more or less a hobby project by someone who approaches jazz and the work of Richards Rodgers as a musical outsider.

There is no question about Davidson's love and honest admiration for the music of Richard Rodgers and the Tango tradition, and he is in itself a decent enough pianist and a good arranger. If you like the idea of approaching jazz and tango from a light-classical angle (what the Germans, the true masters of the genre call "Unterhaltungsmusik") then these are the perfect CD's for you.

But if you look for renditions that fit the norm within either the jazz or tango tradition, you should look elsewhere.

Amor por el Tango :

Track listing: Alicia, Triunfal, Chique, Maquillaje, Rebecca, Griseta, La Cumparsita, Secretos, Night and Day, So in Love, Begin the Beguine, Tristeza, Perdida, Volver, Vals Para Mi Amor

Personnel: Roger Davidson (p); Hector del Curto, David Alsina (bandoneon); Susan de Camp (oboe); Nicolas Danielson (violin); Francisco Navarro (g); Pedro Giraudo, Pablo Aslan (b)

Rodgers in Rio

Track listing: My Romance, Blue moon, Some Enchanted Evening, Climb Ev'ry Mountain, My Funny Valentine, The Sweetest Sounds, Edelweiss, With a Song in My Heart, Lover, Bewitched, The Surrey with the Fringe on Top, If I Loved You, Oh What a Beautiful Mornin'

Personnel: Roger Davidson (p); David Finck (b); Paulo Braga (d)

Visit Roger Davidson on the web .


Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Evergreen
Justin Salisbury
Duke's Place
Mercer Hassy Orchestra
Outer, Inner, Secret
Louie Belogenis
Trachant PAP
Trachant PAP

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.