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Revels And Revolution

Revels And Revolution
Martin McFie By Martin McFie

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Revels And Revolution: Revels And Revolution
Walking to the magnificent Opera House in Nice, in the South of France, the air was filled with chanting and a cloud of smoke. Not smoke, it was a lingering cloud of tear gas. That's an experience to be avoided. The gas was evidence that the young were revolting, as we all did to some degree.

In the Opera House foyer, red velvet, mirrors and the Belle Epoch style spoke of a time of elegance. The building dates to 1896, by which time Nice was annexed by France. Previously, it was part of Savoy and officially spoke Italian.

The ballet was a celebration of the work of two choreographers. The first part was accompanied by chattering sounds and high ululations. The dancers twisted and turned, lifted and raised on points.

The second half, called "Funkier than a Mosquito" was accompanied by a Nina Simone recording in her inimitable style and range singing "Sinnerman," "African Mailman" and " Wild is the Wind" The first two were her own compositions.

The physical excellence of the dancers was astonishing the meaning of the modern work was unclear. At one point, a young lady moved deliberately to the edge of the stage, hesitated then leapt off into the orchestra pit. Those in boxes could see the waiting mattress, but Par Terre, a sharp intake of breath was heard.

Mass transit was still paralysed by the end of the evening, taxis nowhere to be seen, but the air was clear for a walk beside the Mediterranean sea.
Posted to Big World with Martin McFie IN THE All About Jazz GROUP
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About Nina Simone

Location: France


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