Home » Jazz Articles » Album Review » Mark Masters Ensemble: Porgy & Bess Redefined!
Mark Masters Ensemble: Porgy & Bess Redefined!
As with any stage production, it sure helps to have the right cast, and Masters has a dandy. Supported by trombones and French horn, Billy Harper tears his tenor through "Summertime." Trombonist Dave Woodley evokes images of Jimmie Knepper with Mingus during the torrential rhythmic shifts. Gary Smulyan coaxes visceral emotions out of his baritone as he pleads through "I Loves You, Porgy," always backed up by flute and muted trumpets. Tim Hagans soars over delicate chordings on "A Woman Is a Sometime Thing." But the real tour-de-force is an unforgettable "It Ain't Necessarily So," with Hagans swaggering over the propulsive rhythm provided by Joe La Barbera. All throughout the session, Masters keeps the Evans-like voicings from being predictable by continuously shifting rhythms.
Masters has put together a band and a production with a lot of promise. Big band fans and Gershwin fans alike should definitely dig around for this one.
Track Listing
Introduction; Summertime; Woman Is a Sometime Thing; Gone, Gone, Gone; My Man's Gone Now; It Ain't Necessarily So; Here Comes De Honey; I Loves You, Porgy; Red Headed Woman; Clara, Clara; There's a Boat.
Personnel
Mark Masters
arrangerBilly Harper: tenor saxophone; Tim Hagans, Les Lovitt, Tom Delibero, Louis Fasman: trumpet; Dave Woodley, Les Benedict: trombone; William Roper: tuba; Stephanie O'Keefe: French horn; John Riley: bassoon; Gary Smulyan: baritone saxophone; Cecilia Coleman: piano; Ray Drummond: bass; Joe La Barbera: drums; Don Shelton: flute, tenor saxophone; Bob Carr: bass clarinet.
Album information
Title: Porgy & Bess Redefined! | Year Released: 2005 | Record Label: Unknown label
About Mark Masters
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






