Home » Jazz Articles » Album Review » Two For Brazil: Plays the Standards
Two For Brazil: Plays the Standards
Two for Brazil is, as its name suggests, a duo: tenor/flautist Greg Fishman and guitarist/vocalist Paulinho Garcia. Although their playing is extremely economical by necessity, its emotive effectiveness fills up the date with luscious melodically percussive sensuousness. A delightful guitar-flute junction beautified by mature, earthy and relaxed vocals on "Tis Autumn" validates such claims. The flute solo is precise, playful, well breathed, melodically rich and harmoniously enriching –as are all the sax versions throughout the record. What's more, both musicians manage to make you hear what’s not there. You can feel a rhythm section, for example, where there’s none. That’s not easily achieved –it takes discipline not to fill the actual or perceived gaps in a performance by overplaying to compensate for them. Good music needs to breathe freely at its own pace and such delicate balance requires talent, discipline and maturity. Two For Brazil have this kind of vision.
The 16 tunes in the recording dwell within proverbial Brazilian musical precincts such as bossa nova and samba, with plenty of eased romance on the arms of jazz standards. It’s a concept and a performance that works very well. Plenty of familiar beauty on this album.
Visit Two For Brazil on the web.
Track Listing
1. Fascinating Rhythm 2. We'll Be Together Again 3. Tis Autumn 4. Song of the Jet (Samba Do Aviao) 5. Daahoud 6. Embraceable You 7. Hello Dolly 8. Mam'selle 9. Round Midnight 10. On Green Dolphin Street 11. Black Orpheus 12. Indian Summe 13. Angel Eyes 14. Thanks For The Memory 15. All The Things You Are 16. There Will Never Be Another You
Personnel
Greg Fishman: Tenor Saxophone & Flute. Paulinho Garcia: Acoustic Guitar & Vocals.
Album information
Title: Plays the Standards | Year Released: 2003 | Record Label: Jazzmin Records
About Two for Brazil
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






