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Jack McDuff
Born:
Brother Jack McDuff, was one of the handful of leading exponents of the soul jazz style created on Hammond organ by Jimmy Smith in the late 1950s. The instrument at the heart of the soul jazz style was the Hammond B-3 organ, usually in the company of electric guitar, drums, and often tenor saxophone. The emergence of Jimmy Smith as a major star on the instrument sparked its widespread use in jazz and pop music in the early 1960s, and McDuff was among its most successful practitioners. Its initial popularity in both jazz and rock had peaked by the end of the decade, and it was later largely superseded for a time by more contemporary developments in keyboard technology, but it retained serious cult status among its devotees, and those musicians who still preferred the challenge of actually having to play everything themselves
Ain't No Sunshine
Label: Reel to Real Recordings
Released: 2024
Track listing: Side A: Theme From Electric Surfboard; Three Blind Mice.
Side B: Ain't No Sunshine; I'm Gdetting Sentimental Over You; Blues 1 & 8.
Side C: (Unknown); The Jolly Black Giant.
Side D: Middle Class Folk Song; 6:30 In The Morning.
Brother Jack McDuff: Ain't No Sunshine
by Pierre Giroux
At The Gallery, Seattle Washington 1972, Brother Jack McDuff, master of the Hammond B-3 organ, showcased his unparalleled talent, backed by a tight-knit ensemble of seasoned musicians. The result is a never-before-released live recording in a deluxe limited-edition hand-numbered 180-gram 2-LP set, produced by record executive and tenor saxophonist Cory Weeds. The ...
Steely Dan's Jon Herington and Jim Beard
by Mike Jacobs
In memory of Jim Beard, this article was first published at All About Jazz on July 6, 2017. While keyboardist / producer Jim Beard and guitarist Jon Herington are both solo recording artists with long and varied careers that straddle jazz, rock and beyond, they may be best known these days for being longtime ...
Blue Note Series of Rare Summer Grooves
by Chris M. Slawecki
This article was first published at All About Jazz in September 2002 under the old Combing the Blue Note Catalog column. The Rascals knew all about it. They expressed it perfectly in one of their biggest hit singles: Ain't nothing like groovin' on a Sunday afternoon. Not much serves the purpose of that groove ...
Easily Slip Into Another World: A Life In Music
by David A. Orthmann
Easily Slip Into Another World: A Life In Music Henry Threadgill and Brent Hayes Edwards403 pagesISBN: #9781524749071Alfred A. Knopf 2023 Describing Easily Slip Into Another World: A Life In Music as an autobiography of a jazz musician misses the mark by a wide margin. Better to say ...
Towner Galaher Organ Trio: Live
by Pierre Giroux
There is a proverb which states everything old is new again"; it seems perfectly applicable to the latest release by drummer Towner Galaher, Live, on which he gives a tip of the cap to the classic organ trios which were front and center in clubs and on records during the '50s and '60s. Supported by Lonnie ...
Jean-Luc Ponty: Open Mind
by Peter Rubie
If Individual Choice was the sketchbook of Jean-Luc Ponty's (JLP) decision to take his music in a new direction, Open Mind (1984), released the following year, was a deeper exploration of the emerging world of synthesizers and sequencers and their impact on live (studio) performance. Here, complex rhythmic patterns shift in the background while new sounds ...
Conrad Herwig: Obligation
by C. Andrew Hovan
Jazz fans tend to be fanatical about those artists that most directly speak to their own musical tastes. Over time, a sense of familiarity with the musical personalities of their iconic favorites becomes entrenched, followed by categorization based on style and genre. Those already familiar with Conrad Herwig's musical endeavors over the past 20 years are ...
Walter Bishop Jr.: Bish at the Bank: Live in Baltimore
by Troy Dostert
Although he played with many of the icons of bebop's formative years from Bird to Miles, as well as those who were starting to reach for something beyond, including Ken McIntyre and Jackie McLean, pianist Walter Bishop Jr. never got his due as a leader, remaining woefully under-recorded until the 1970s. Most of his albums remain ...