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ARTICLE: RADIO

Paul Plimley, Evan Parker & Denis Fournier

Read "Paul Plimley, Evan Parker & Denis Fournier" reviewed by Maurice Hogue

This show marks the one-year anniversary of publishing One Man's Jazz on All About Jazz's radio section, and we're taking a decided dip into the “deep end" of the improvisation pool. There's lots of avant-garde, experimental, free form, free improv on the bill. Is it “noise," is it the future? That's for the listener to decide, ...

ARTICLE: ALBUM REVIEWS

Sensaround: Heart/Noise

Read "Heart/Noise" reviewed by Karl Ackermann

Sensaround is an electro-acoustic trio of Australian and Scottish lineage, co-led by the familiar names of Alister Spence and Raymond MacDonald and the less recognized Shoeb Ahmed. Heart/Noise is the group's third release following the 2014 Isotropes (hellosQuare recordings). The music defies categorization, combining--as the musicians describe it--"jazz ambience, ghostly dub, and post-punk experiments...." It is ...

Glasgow Improvisers Orchestra featuring Marilyn Crispell and Evan Parker: Parallel Moments Unbroken

Read "Parallel Moments Unbroken" reviewed by Matt Parker

For this album, living legends in the world of improvised music Marilyn Crispell and Evan Parker joined the Glasgow Improvisers Orchestra as featured soloists in these recordings of two separate live performances of the same composition (hence the duplication of some track titles). Parallel Moments Unbroken was written by GIO founding member Raymond MacDonald, and commissioned ...

ARTICLE: ALBUM REVIEWS

Alister Spence / Satoko Fujii Orchestra Kobe: Imagine Meeting You Here

Read "Imagine Meeting You Here" reviewed by Karl Ackermann

On the heels of a monthly release year, celebrating her sixtieth birthday, Satoko Fujii takes no break as she dives into a new year. Imagine Meeting You Here is a five-part suite for Fujii's improvising Orchestra Kobe. The compositions are by pianist Alister Spence, who acts as producer and conductor of the fifteen-member ensemble. The suite ...

ARTICLE: ALBUM REVIEWS

Alister Spence / Satoko Fujii: Intelsat

Read "Intelsat" reviewed by Karl Ackermann

Three quarters of the way through Satoko Fujii's year-long celebration of her sixtieth birthday, she once again moves in an unpredictable direction, this time in the company keyboardist Alister Spence. Having met in Australia in 2007, the two went on to record with the Raymond MacDonald International Big Band the following year. Intelsat marks the second ...

ARTICLE: RADIO

Running The Bas(s)es

Read "Running The Bas(s)es" reviewed by Maurice Hogue

In baseball parlance, “touch 'em all" refers to hitting a four-bagger, a home run. In this week's episode, we try to “touch" a whole bunch of wonderful contemporary bassists. The following would make up a pretty darn good all-star team of “bass" runners: John Hébert with Marty Ehrlich, Joshua Abrams, Drew Gress in Free Country, Sean ...

ARTICLE: ALBUM REVIEWS

Eamon Dilworth: Viata

Read "Viata" reviewed by Karl Ackermann

From its Romanian orgin, Viata translates to “Life." It is the new, independently produced album from Eamon Dilworth and his nameless quintet. Trumpeter Dilworth is not well-known in the U.S. but has received numerous awards in his native Australia. He has studied with some top brass talent including Lew Soloff, Ambrose Akinmusire, Dave Douglas and Avishai ...

ARTICLE: ALBUM REVIEWS

Glasgow Improvisers Orchestra: GIO Sevens

Read "GIO Sevens" reviewed by Duncan Heining

Back in the 60s, there was a pop show on British TV called Thank Your Lucky Stars. It featured a “spin-a-disc" segment, where a DJ and three teenagers scored a clutch of 45s on a scale of one to five. One of these was a girl from the West Midlands called Janice Nicholls, who delighted audiences ...

ARTICLE: ALBUM REVIEWS

Raymond MacDonald & Graeme Wilson: A Cast of Thousands

Read "A Cast of Thousands" reviewed by Duncan Heining

Raymond MacDonald and Graeme Wilson are two of the leading figures in the Glasgow Improvisers Orchestra. The music on Cast Of Thousands may be freely improvised but the emphasis here seems very much upon structure and form. One suspects that MacDonald and Wilson's lengthy experience playing together allows each man to trust the other and that ...

ARTICLE: PROFILES

Barry Guy: Back to the Drawing-Board (Part 3)

Read "Barry Guy: Back to the Drawing-Board (Part 3)" reviewed by Duncan Heining

Part 1 | Part 2 | Part 3

One of the things which may strike the listener on hearing the London Jazz Composers' Orchestra for the first time is just how much volume Guy is able to draw from just seventeen to twenty players. Some other big bands sound almost insipid in comparison. There ...