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About Barbara Dennerlein
Instrument: Organ, Hammond B3
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Barbara Dennerlein
Born:
Born in Munich, Germany, in 1964, Barbara Dennerlein fell in love with the Hammond organ sound at an early age. She was eleven when the first home organ was given to her for Christmas. After only one and a half years of lessons she decided to continue autodidactic, relying upon her highly visible talent. She began to develop her own inimitable style and finally her jazz enthusiastic parents decided to buy an original Hammond B3.
Barbara became acquainted with the history of the instrument and went on her own journey of discovery in the world of music. In addition to studying the classical repertoire of standards, she also began to compose her own numbers very early on. Following first performances as a thirteen-year-old, she began to play in clubs at the age of fifteen. In the early eighties she was already fêted as the “organ tornado from Munich”.
New Jazz Releases Plus Gregory Goodloe Interview
by Steven Roby
Gregory Goodloe, who derives his influences from George Benson and Wes Montgomery, divides his time between the recording studio and the radio studio, where he presents his own show, Mile High Smooth Jazz, on World Wide Jazz Radio. Playlist Artemis Lights Away From Home" from In Real Time (Blue Note Records) James Brandon Lewis ...
Mimi Fox: One for Wes
by Jack Bowers
To mark the hundredth anniversary of the great Wes Montgomery's birth in March 1923, guitarist Mimi Fox has recorded One for Wes, an earnest tribute that consists of eight Montgomery-inspired tunes adeptly performed by Fox's San Francisco Bay-area organ trio with Brian Ho on Hammond B3 and Lorca Hart on drums. As one ...
My Conversation with Joey DeFrancesco
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in February 2000. Whatever can be said of Joey De Francesco, there is no denying his impact on his fans, many of whom lined up for hours at a local hole in the wall in my hometown of Fullerton to see the ...
Videos: Barbara Dennerlein in the 1980s
Barbara Dennerlein is an exceptional jazz organist. Few in the U.S. are familiar with her, largely because Dennerlein has rarely toured here. Born in Munich in 1964, Dennerlein began playing the organ at age 11 in a household where her parents loved jazz. She quickly became a master of the bass foot pedals and was soon ...
Gulda: Classic Bad Boy
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The So You Don't Like Jazz" ...
Sonny Rollins & Dave Brubeck
by Joe Dimino
From another legend during the pandemic putting out quality new music, we start the 678th Episode of Neon Jazz with Drummer Joe Farnsworth. He has a great new album out called Time to Swing with a stellar line up and that sets the tone for the hour of music. There have been a host of new ...
Jack Broadbent: the Road to Success Started on the Street
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The So You Don't Like Jazz" ...
Baby Steps to Giant Steps
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The So You Don't Like Jazz" ...
Issie Barratt: Every Solo Is A New Invitation
by Duncan Heining
Issie Barratt is one of the most significant jazz educators in Britain today. From 1999-2004, Barratt was head of Jazz at Trinity College of Music but her role as Artistic Director of the National Youth Jazz Collective has been of even greater importance in developing young jazz talent. Now in its, thirteenth year, NYJC goes from ...