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ARTICLE: ALBUM REVIEWS

Thomas/Butcher/Solberg: Fictional Souvenirs

Read "Fictional Souvenirs" reviewed by John Sharpe

Free improvisers favor ephemeral lineups more than most musicians. They keep things fresh and present new challenges. But most improvisers are also fond of particular groupings or connections. That's definitely the case with the British pairing of saxophonist John Butcher, keyboardist and electronicist Pat Thomas and Norwegian drummer Stale Liavik Solberg. They have worked together in ...

ARTICLE: ALBUM REVIEWS

Dave Rempis, Brandon Lopez, Ryan Packard: The Early Bird Gets

Read "The Early Bird Gets" reviewed by Giuseppe Segala

Musicista molto attivo sulla scena fremente di Chicago, Dave Rempis si mise in luce poco più che ventenne accanto a Ken Vandermark, nel 1997, abbinando i propri sassofoni alle ance del leader nella formazione The Vandermark 5, attiva fino al 2010 con sedici lavori pubblicati soprattutto dall'etichetta Atavistic. Nel contempo, alimentò formazioni proprie o a nome ...

ARTICLE: ALBUM REVIEWS

Rob Mazurek: Desert Encrypts Vol. 1

Read "Desert Encrypts Vol. 1" reviewed by Karl Ackermann

It was twenty-five years ago, in 1994, that Rob Mazurek first emerged with Man Facing East (Hep Jazz), a quartet recording solidly positioned in the post/hard bop style. Even in the interpretations of standards, there were clues that the cornetist/composer was a restless soul. In the intervening years, Mazurek has rapidly charted his own dissident destiny ...

ARTICLE: ALBUM REVIEWS

Atomic: Pet Variations

Read "Pet Variations" reviewed by Mark Corroto

The Scandinavian supergroup Atomic has always pushed back against “tradition," be it the customary sound of Nordic jazz or--maybe more importantly--what most believe to be the avant-garde. Each member has a thriving career outside the quintet: bassist Ingebrigt Håker Flaten with The Young Mothers, The Thing, Rempis Percussion Quartet, and his own trio and quartets, drummer ...

ARTICLE: ALBUM REVIEWS

Magnus Broo Trio: Rules

Read "Rules" reviewed by Vincenzo Roggero

Tre improvvisatori tra i più attivi e innovativi della scena scandinava (in ordine sparso Atomic, Angles, The Thing, Jan Garbarek, per citare solo alcune collaborazioni) che si cimentano con una manciata di standard che più standard non si può. Non stiamo parlando di fake news ma Rules album a nome Magnus Broo Trio uscito per Moserobie, ...

ARTICLE: ALBUM REVIEWS

Anker / Thomas / Flaten / Solberg: His Flight's At Ten

Read "His Flight's At Ten" reviewed by John Sharpe

Perhaps the title refers to British pianist Pat Thomas' travel schedule. If so it will be a situation that he is all too familiar with, as strangely his reputation appears greater in Europe than at home, in spite of an extensive discography and collaborations with a who's who of contemporary experimental music.

His Flight's ...

ARTICLE: IN PICTURES

Ai Confini tra Sardegna e Jazz 2018

Read "Ai Confini tra Sardegna e Jazz 2018" reviewed by Luciano Rossetti

Photos from the “Ai Confini tra Sardegna e Jazz 2018" Festival held in Sant'Anna Arresi, in the south of Sardinia from the September 1st to 9th, featuring, among others, Eve Risser White Desert Orchestra, Roots Magic, Ingebrigt Haker Flaten and his The Young Mothers, David Murray, Radian, Joe McPhee, James Brandon Lewis and Chad Taylor Duo, ...

ARTICLE: MULTIPLE REVIEWS

Iluso Records: DIY from two dreamers

Read "Iluso Records: DIY from two dreamers" reviewed by Mark Corroto

Australian drummer Michael Caratti and Spanish-born New York-based guitarist Álvaro Domene founded the record label Iluso in 2013 to release their quartet recording Gran Masa. The pair found they shared similar interests while in school at Middlesex University in London. And why not put out their own music? That way they could control the content and ...

ARTICLE: LIVE REVIEWS

Ai Confini tra Sardegna e Jazz - XXXIII Edizione

Read "Ai Confini tra Sardegna e Jazz - XXXIII Edizione" reviewed by Paolo Peviani

Ai Confini tra Sardegna e Jazz Sant'Anna Arresi 1-9.9.2018

Mettendo insieme una buona dose di ironia e di amara verità, il direttore artistico del festival Ai Confini tra Sardegna e Jazz, Basilio Sulis, ama definire Sant'Anna Arresi come Periferia dell'Impero. Da trentatré anni, tuttavia, nella prima settimana di settembre questo lembo di Sardegna ...

ARTICLE: IN PICTURES