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Content by tag "Marilyn Crispell"

ARTICLE: CD/LP/TRACK REVIEW

Skydive Trio: Sun Sparkle

Read "Sun Sparkle" reviewed by Karl Ackermann

Norwegian guitarist Thomas Dahl's primary project is the Skydive Trio with bassist Mats Eilertsen and drummer Olavi Louhivuouri. The trio is an off-shoot of a quintet of the same name that includes tenor saxophonist Tore Brunborg and pianist Alexi Tuomarila. Sun Sparkle is the second release from the smaller group whose sound, like the album title, ...

Meet Jacob Cartwright

Read "Meet Jacob Cartwright" reviewed by Tessa Souter and Andrea Wolper

Our August Super Fan is a visual artist with a special affinity for improvisational music, which has spilled over into his jazz-themed painting series. In jazz, as in art, Jacob Cartwright values the past while embracing the forward momentum of the new. Plus he's really “down with the jazz cats"--read on to see what we mean! ...

ARTICLE: PROFILES

SFJAZZ: Decades After, Five Years In

Read "SFJAZZ: Decades After, Five Years In" reviewed by Arthur R George

Five years after the jny: San Francisco, California organization SFJAZZ created its own building, the SFJAZZ Center, it has proved a raving, even rampaging, success, unrelenting in programming, sales, education, and music production. Its number of concerts has doubled from 248 to more than 500. Its membership has increased by almost 200% to more than 14,000. ...

Anthony Braxton Quartet: (Willisau) 1991 Studio

Read "(Willisau) 1991 Studio" reviewed by Mark Corroto

Picture Miles Davis finishing a solo and stepping off the bandstand to smoke, while John Coltrane steps up to the microphone to play. I'll bet that never happened with the legendary Anthony Braxton Quartet (1985-1994). His quartet with pianist Marilyn Crispell, bassist Mark Dresser, and drummer Gerry Hemingway may be the best vehicle to appreciate Braxton's ...

Carl Michel: Music in Motian

Read "Music in Motian" reviewed by Mike Jurkovic

Late drummer, texturalist, bandleader, and composer Paul Motian holds a revered space in the post-bop of the last half century. From early stints with Lennie Tristano and Coleman Hawkins to his seared-into-legend work with Bill Evans on Sunday at the Village Vanguard (Riverside Records, 1961), and Waltz for Debby (Riverside Records, 1962)); through his fiery live ...

ARTICLE: CD/LP/TRACK REVIEW

Bobo Stenson: Contra la indecision

Read "Contra la indecision" reviewed by Mike Jurkovic

Swedish pianist Bobo Stenson could be considered an anomaly amongst the ECM roster of piano players. His work over the past decades has been more controlled and, not to be taken as an insult or affront to Stenson's earthy lyricism, less challenging than the works of past and current label-mates such as Paul Bley, Marilyn Crispell, ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond" reviewed by Karl Ackermann

Beyond the Hubs

While jny: New Orleans, jny: Chicago, jny: Kansas City and jny: New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far ...

ARTICLE: LIVE REVIEWS

Crispell-Fonda-Sorgen Trio Live at The Falcon

Read "Crispell-Fonda-Sorgen Trio Live at The Falcon" reviewed by Mike Jurkovic

Crispell-Fonda-Sorgen Trio
The Falcon
Marlboro, New York
November 26, 2017

From a furious flurry of dissonance, Paul Motian's energetic “Cosmology" emerged as the declarative opening salvo for this intuitive and adventurous set by pianist Marilyn Crispell, bassist Joe Fonda, and drummer Harvey Sorgen.

Crispell, long a ...

Fred Casadei: quello che sto ascoltando

Read "Fred Casadei: quello che sto ascoltando" reviewed by Vincenzo Roggero

1. Charles Mingus, Mingus Plays Piano, (Impulse!, 1964).

Questo è uno dei dischi che amo di più, fonte di ascolto ma, ancora oggi, di studio. Ci sono soluzioni armoniche davvero moderne, ancora oggi, brani come «Myself When I'm Real» potrebbero essere stati scritti oggi... con la differenza che la passione di Mingus è ...

ARTICLE: CD/LP/TRACK REVIEW

Gary Peacock: Tangents

Read "Tangents" reviewed by Mike Jurkovic

Throughout his storied career, bassist/composer Gary Peacock has gone a long way to make the bass an emotive and compelling solo instrument. Yet, when one looks back on--or better yet--listens back to the myriad of great recordings he has given us both as a sideman and leader, it is his emphatic, soul-intuitive, work within the piano ...