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Content by tag "Jamie Saft"

Brian Marsella Trio: Buer: Book Of Angels Volume 31

Read "Buer: Book Of Angels Volume 31" reviewed by Dan McClenaghan

How many angels are there? Alto saxophonist/composer John Zorn started his Masada Book Two, Book of Angels endeavor in 2005, with Astaroth: Book of Angels, Volume 1, by the Jamie Saft Trio. Thirty recordings and twelve years later, he offers up Buer: Book Of Angels, Volume 31, by the Brian Marsella Trio. A tune for every ...

ARTICLE: LIVE REVIEWS

ELBJAZZ 2017

Read "ELBJAZZ 2017" reviewed by Ian Patterson

ELBJAZZ 2017
Blohm and Voss/various venues
Hamburg, Germany
June 2-3, 2017

Although Gregory Porter was the marquee name at the sixth edition of Elbjazz, with a strong supporting cast including Joshua Redman, Jan Garbarek, Hildegard Lernt Fliegen and Youn Sun Nah, the real star of the show was the spectacular festival ...

Jamie Saft - Steve Swallow - Bobby Previte: Loneliness Road

Read "Loneliness Road" reviewed by Dan McClenaghan

So, the front man for the rock/pop group called The Stooges gets an invite to pitch in with a classic jazz piano trio. The Stooge would be Iggy Pop; the piano trio, Jamie Saft's, with bassist Steve Swallow and drummer Bobby Previte. That's quite an experiment, like something Frank Zappa might have tried.

Pianist ...

ARTICLE: BAILEY'S BUNDLES

Duos – Patrice Williamson/Jon Wheatley; Bill Brovold/Jamie Saft; Randy Ingram/Drew Gress; Eraldo Bernocchi/Prakash Sontakke; Cathy Segal-Garcia

Read "Duos – Patrice Williamson/Jon Wheatley; Bill Brovold/Jamie Saft; Randy Ingram/Drew Gress; Eraldo Bernocchi/Prakash Sontakke; Cathy Segal-Garcia" reviewed by C. Michael Bailey

The duet performance format is pretty naked. There is little place to hide for the two instrumentalists taking part in the delicate discourse that is making music. The following are five approaches trying to make the cut of creativity.

Patrice Williamson & Jon Wheatley
Comes Love: A Tribute to Ella Fitzgerald and Joe ...

Bill Brovold & Jamie Saft: Serenity Knolls

Read "Serenity Knolls" reviewed by Dan Bilawsky

It's a shame to say it, but even the most open-minded souls have a tendency to classify and ghettoize musical artists. This is the type of album that reminds us all that you shouldn't.

Bill Brovold, a guitarist who came up in the New York no wave scene in the early '80s and ...

ARTICLE: BEST OF / YEAR END

C. Michael Bailey’s Best Releases of 2016

Read "C. Michael Bailey’s Best Releases of 2016" reviewed by C. Michael Bailey

Shifting priorities in 2016 prevented me from either listening to or reviewing as much music as I have in the past. Thus, I did not take a swing at many fine recordings that by all accounts should be on this list like: John Scofield's Country for Old Men (Impulse!); Keith Jarrett's A Multitude of Angels (ECM); ...

ARTICLE: CD/LP/TRACK REVIEW

Bobby Previte: Mass

Read "Mass" reviewed by C. Michael Bailey

Finally, I understand Black Sabbath and it is about damn time. Musically, my preferences tend toward the durable and dependable blues pentatonic. That is something that, harmonically, I can understand from down in my DNA. That said, when I was a teenager, I wore into nothing, the first four Black Sabbath recordings. As much as they ...

ARTICLE: CD/LP/TRACK REVIEW

Nick Millevoi: Desertion

Read "Desertion" reviewed by Vincenzo Roggero

Nick Millevoi, giovane chitarrista e compositore di Filadelfia, ama sorprendere. Lo testimonia l'eterogeneità dei suoi progetti e delle sue collaborazioni, l'innata curiosità di esploratore di mondi sonori che lo portano a comporre per grandi ensemble come per piccoli gruppi di stampo rock. Chi avesse confidenza con Many Arms -il suo gruppo più stabile, una sorta di ...

ARTICLE: EXTENDED ANALYSIS

Chuck Hammer: Blind On Blind

Read "Chuck Hammer: Blind On Blind" reviewed by Peter Jurew

Award-winning composer, guitarist, recording artist and producer Chuck Hammer has been an active influence on the progressive music scene since the mid-1970's, working with Laurie Anderson, David Bowie and Tony Visconti, Nile Rodgers, and Lou Reed, with whose band he recorded and toured globally for several years. An early adopter of the Roland guitar synthesizer, Hammer ...

ARTICLE: CD/LP/TRACK REVIEW

Joe Morris: Shock Axis

Read "Shock Axis" reviewed by Mark Corroto

I am applying for a NEA grant to test my theory that you can judge an album by it's cover. For instance, The Rolling Stones' Exile on Main St (RSR, 1972) and The Clash's London Calling (CBS, 1979) are two albums where you just knew what to expect by gazing at the covers. In the jazz ...


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