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ARTICLE: BEST OF / YEAR END

Mark Corroto's Top Ten (Ok Fifteen) of 2018

Read "Mark Corroto's Top Ten (Ok Fifteen) of 2018" reviewed by Mark Corroto

Another trip around the sun. In the AllAboutJazz universe, the stars were especially bright this year. Which is a good thing, unless you are like me, trying to pare down a huge list of favorites to just ten. At that task, I've failed once again. So here are my 15 favorite recordings of 2018 in no ...

ARTICLE: BEST OF / YEAR END

Doug Collette's Best Releases of 2018

Read "Doug Collette's Best Releases of 2018" reviewed by Doug Collette

It wasn't hard in the least to compile a 'Best of...' list for 2018. The titles were self-evident as they rolled out, with almost clockwork regularity, over the course of the twelve months, ultimately comprising what I kept going back to most often during the year, enjoying each one more (and in a slightly different way) ...

ARTICLE: IN PICTURES

Jazz dans la Nuit at The Montreal International Jazz Festival 2018

Read "Jazz dans la Nuit at The Montreal International Jazz Festival 2018" reviewed by Dave Kaufman

Part 1 | Part 2 | Part 3 | Part 4

jny: Montreal is a city known for its beautiful historic churches and cathedrals. Église du Gesù, a magnificent church situated in the heart of downtown Montreal, opened its doors in 1865. The basement in the church has housed an amphitheater dedicated to the arts ...

ARTICLE: RADIO

Black Motor, Tomasz Stanko and Other New Releases

Read "Black Motor, Tomasz Stanko and Other New Releases" reviewed by Maurice Hogue

Finland's power trio, Black Motor, is sure to get your own motor running with a pair of tracks from a live recording issued by We Jazz. The music comes from a We Jazz festival held in Berlin in October last year which showcases some of their artists. This week's show also features music from the heart ...

ARTICLE: RADIO

Running The Bas(s)es

Read "Running The Bas(s)es" reviewed by Maurice Hogue

In baseball parlance, “touch 'em all" refers to hitting a four-bagger, a home run. In this week's episode, we try to “touch" a whole bunch of wonderful contemporary bassists. The following would make up a pretty darn good all-star team of “bass" runners: John Hébert with Marty Ehrlich, Joshua Abrams, Drew Gress in Free Country, Sean ...

ARTICLE: CD/LP/TRACK REVIEW

The Jamie Saft Quartet: Blue Dream

Read "Blue Dream" reviewed by Vincenzo Roggero

Se Solo a Genova ci aveva rivelato il lato sorprendentemente intimo e meditativo di Jamie Saft, Blue Dream espande sia a livello sonoro che di formazione quel mood e quella visione. Regalandoci così un album classico per struttura e concezione, sobrio nel rivisitare i canoni di un jazz in gran parte ancorato alla strada maestra, creativo ...

Jamie Saft Quartet: Blue Dream

Read "Blue Dream" reviewed by Doug Collette

His third fairly conventional release in a row, Blue Dream is Jamie Saft's second release of this year, followup of a sort to the splendid piano recital Solo a Genova (Rarenoise, 2018). Both titles appear subsequent to a diverse string of projects including Plymouth (Rarenoise, 2014), Red Hill (Rarenoise, 2014) and Serenity Knolls (Rarenoise, 2017), none ...

Jamie Saft: Solo a Genova

Read "Solo a Genova" reviewed by Vincenzo Roggero

Dando un'occhiata alla scaletta dei brani, qualche perplessità sulla messa a fuoco di un progetto che mette insieme Joni Mitchell e John Coltrane, ZZ Top e Miles Davis, Stevie Wonder e ... Charles Ives si affaccia spontanea. Ma se lo Steinway D-274 che sfrutta l'eccellente acustica dell' Auditorium Eugenio Montale di Genova è nelle sapienti mani ...

Jamie Saft Quartet: Blue Dream

Read "Blue Dream" reviewed by C. Michael Bailey

If RareNoise Records has a characteristic sound as ECM Records has a characteristic sound, that sound is defined Jamie Saft. Whether it is the unholy ministry of Slobber Pup or the plaintive solo piano of his recent Solo A Genova (RareNoise, 2018), multi-instrumentalist Saft has brought Giacomo Bruzzo's and Eraldo Bernocchi's eclectic-electric British label front and ...

ARTICLE: BAILEY'S BUNDLES

Formats – Solo Through Nonet

Read "Formats – Solo Through Nonet" reviewed by C. Michael Bailey

One plus Two, equals three, and so on. What arbitrary combo size constitutes a big band? None of these.

Solo: Jamie Saft
Solo a Genova
RareNoise Records
2018

That musical provocateur Jamie Saft, he is a prankster. After making all kinds of noise with the likes of Metallic Taste ...