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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

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Kandace Springs, Sidney Bichet, Marquis Hill and More

Read "Kandace Springs, Sidney Bichet, Marquis Hill and More" reviewed by Joe Dimino

With a show spotlighting the work of Kandace Springs, Delfeayo Marsalis, Marquis Hill and Rahsaan Roland Kirk, we wish to underscore our ongoing commitment to African-American culture as well as our support to the Black Lives Matter movement for just and equal treatment of all humans. Keep on fighting the good fight. Enjoy the jazz, my friends. Playlist Kandace Springs “Devil May Care" The Women Who Raised Me (Blue Note) 00:00 Host talks 3:19 Nina Simone “I Want ...

ALBUM REVIEW

Kandace Springs: The Women Who Raised Me

Read "The Women Who Raised Me" reviewed by Peter J. Hoetjes

Cover albums tend to sort themselves pretty neatly into two separate bins. One is filled with tiresome stacks of uninspired music soon to be filed away and forgotten. The other, smaller pile is made up of those few in which the artist on the cover managed to do something more than parrot their predecessors. Those who wish to belong to the latter group find a way to add a personal touch to their songs, in such a way that each ...

LIVE REVIEW

Kandace Springs At Yoshi's Oakland

Read "Kandace Springs At Yoshi's Oakland" reviewed by Walter Atkins

Kandace Springs Yoshis Oakland Oakland CA February 19, 2020 Talented Blue Note Records singer-songwriter and pianist Kandace Springs graced the stage at Yoshi's in jny: Oakland for a pleasantly packed house engagement. Springs presented tracks from her debut album Soul Eyes (Blue Note Records, 2016) and from Indigo (Blue Note Records, 2018), along with music on her upcoming album The Women Who Raised Me (Blue Note Records, 2020). She called her new record a tribute ...

LIVE REVIEW

Atlanta Jazz Festival 2019

Read "Atlanta Jazz Festival 2019" reviewed by Mark Sullivan

Atlanta Jazz Festival Atlanta, GA May 25-26, 2019 Last year the festival operated under the threat of rain all weekend. This year's 42nd edition saw record-tying high temperatures: 93 and 94 degrees Fahrenheit (ten degrees above the historical averages). No doubt it is a coincidence that the programming was cooler than last year's: lots of contemporary/smooth jazz and pop, and very little progressive jazz or Latin. Not that this had any apparent effect on the size ...


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